Hello and welcome to the Storygrid podcast. My name is Tim Graal. I'm your host and I am a struggling

writer trying to figure out how to tell a story that works. Joining me shortly is Sean Coyne. He's the

creator and founder of StoryGrid. And along with him is our editor-in-chief of StoryGrid

publishing, Leslie Watts, along with the chief academic

officer of Story Grid University, Danielle Kiyoski. In this episode, we continue breaking down

the short story eyewitness by Ed McBain, beat by beat. So we're literally going line by line

through this short story, separating it into beats and looking at each individual beat

and analyzing it. So we started this last week. We're continuing it this week. And for those of you

that are wondering why this is worth all of the hassle, I really recommend you just stick with it.

One of the amazing things about looking at a masterwork line by

line is you really get to understand what the author was doing at each part of the process.

And it really helps you understand how to put these things into practice in your own writing

as well. So this is a really, really good process. I hope you stick

with it. Again, if you are listening to just the audio version of this podcast, I highly recommend

you go to our YouTube channel Storygrid, check out the video recording of this episode because

then you can actually follow along with the writing as well. But either way,

I hope you enjoy the episode and we're going to go ahead and jump in and get started.

All right. So let's pick back up with where we left off last week. We are in the middle of the

beat that starts out with the input, Magruder shrugged. He'd been on the force for a long time now,

and he was used to just about every type of taxpayer. I looked over to where the thin man sat on

the bench against the wall, and then it has the output, well, I said, let me see what I can get out of

him. So we're going to pick back up there talking about the input and the output.

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