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Blank Check with Griffin & David

Barton Fink with Chris Weitz

Blank Check with Griffin & David

Blank Check Productions / Talkhouse

Tv & Film, Society & Culture, Comedy, Film Reviews

4.66.1K Ratings

🗓️ 3 August 2025

⏱️ 205 minutes

🧾️ Download transcript

Summary

Is John Goodman the devil? Is the studio system good, actually? Is it better to be the director of a bomb than it is to be the director of a film that doesn’t exist? Filmmaker (and part of a DGA-sanctioned directing duo) Chris Weitz joins us to talk about Barton Fink, possibly the greatest film ever made about the “art vs. commerce” divide inherent to the movie business. It’s not easy to make a picture, folks. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won’t want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Blank Jack with Griffin and David

0:04.7

Blank Jack with Griffin and David

0:08.6

Don't know what to say or to expect

0:11.7

All you need to know is that the name of the show is Blank Jack

1:12.1

Look, but, bearing a preference, we're going to put you on a movie podcast. Blank Check. I say this because they tell me you know the poetry of the street. So that would rule out Westerns, pirate podcast, screwball, Bible, room. Look, I'm not one of these guys who thinks poetic has got to be fruity. We're together on that, don't we? I mean, I'm from New York myself. Well, Minsk, if you want to go all the way back, which we won't. But if you don't mind, I ain't asking, now, these people are going to say to you, blank check movies. It's a B podcast. You tell them bullshit. We do not make B podcasts here at Blank Check Productions. Let's put stop to that rumor right now. I, you didn't hit it, which is fine because you're, you're reading the long chunk here. But the way he says, I mean, I'm from New York myself. Well, Minsk, if you want to go all the way back, which we won't, if you don't mind. And I ain't asking. Oh, he's suddenly like, you know, he's in's in his own track and he's like but i don't want to talk about that even though i just brought it up that to me

1:16.2

is the epitome of beautiful monologuing right where it's like now this guy is in a tunnel like

1:22.1

he's no longer even thinking about the guy it is a thing that i I feel like the Cohen brothers is where you feel the

1:28.4

strongest influence, even in their dramas of like, like, um, Preston Sturgis and like Lou Bitch and Wilder

1:37.3

kind of stuff where you're like these brief moments where a character starts to hint at a whole

1:42.2

deeper life and within themselves. It is a screwball comedy going on in life, basically. Yeah. Yes. It's what I like about the city is that it makes me feel unimportant in a way that I think is valuable. Oh, by the way, have you guys seen the clock that Christian Barclay? Yes. I mean, not at a moment. Not all 24 hours of it, but I popped in.

1:58.8

Some fairweather friend you are. Well, they closed the museum. Yeah. And I've always wondered, like, how do you see the nighttime clock? They will occasionally schedule a 24-hour session. Fucking amazing to think about. Or you've got to go Ben Stiller mode. Oh? Work a night at the museum. Except it's a night at MoMA, so it's like... And the movies come alive.

2:00.1

Some abstract artists like going around.

2:22.1

Yeah, exactly.

2:23.1

I got to say, I went with my wife Mercedes there yesterday and it was a redemptive, it was a redeeming experience.

2:31.5

Really?

2:31.8

It was really amazing.

2:33.7

And I recommend...

2:34.5

I think it's going on May 21st.

2:36.2

It's leaving MoMA, but you're around. You get a chance. It's leaving MoMA. Well, I mean... This episode's coming out in whatever. Oh, it's gone. But your message is being received by the three of us. It'll... I mean, I've gone to this iteration of MoMA, but it'll return.

2:33.6

Like, it travels around the world, right?

2:35.4

Like, that's sort of the thing with it.

2:36.6

Well, look, David, you say that. And yet the last thing we were talking about just before we started recording. Regrets, I've had a few. Is that you were offered a chance to moderate a Q&A with the Cohen Brothers when they were promoting Buster Scrugs and you were like, ugh, what a schlep. And now here we are. And you're like, as of this moment, still their final film together. We keep here and they're going to get back together, but you just... Wait, where was the Schlep, too? Unknown Schlep. So the Schlep would have been uptown, like to the uprois side. That's not why I turned it down really.

...

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