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| 0:00.0 | You know those optical illusions where you see one thing and then you see another? |
| 0:04.9 | Like it's a drawing of a rabbit and then you look at it a little closer and suddenly it becomes a duck. |
| 0:10.7 | Or first you see a vase and then it becomes two people looking at one another. |
| 0:15.8 | You know what I mean? You can't help but flip-flop in between. |
| 0:19.2 | I feel the same way when I look at a barn owl, except emotionally. |
| 0:25.3 | One minute I'm looking at them and I feel the same way that I do when I'm looking at a |
| 0:28.6 | parrot or a swan. |
| 0:30.4 | I'm just appreciating natural beauty. |
| 0:33.7 | No hint of negativity. |
| 0:36.7 | But then, in a flash, that feeling just dissipates. |
| 0:41.6 | And in a strange sort of way, I feel myself sinking into the body of a field mouse. |
| 0:49.2 | In a moment, the illusion flips and the owl goes from moon-faced to faceless, from full of soul to |
| 1:00.8 | soulless. It appears to me that the barn owl stands alone in the center of some rare |
| 1:10.4 | Venn diagram, in which the left circle holds |
| 1:14.4 | animals like parrots and peacocks and zebras, then the right circle holds sharks and |
| 1:20.6 | eye-eyes and crocodiles. The barn owl is in that little barely existing sliver of overlap. |
| 1:30.1 | They are the bewitching predator. |
| 1:33.4 | And I think that is one of the many reasons why they have been of such great spiritual interest to societies through the millennia. |
| 1:42.9 | Today we are going to demystify this bird. |
| 1:46.5 | They are only animals, like you and me. |
| 1:51.0 | But only is a strange modifier to use |
| 1:55.1 | when we are talking about an animal as glorious as the barn owl. |
... |
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