Hey, everybody, it is I.

Hey, everybody, it is I.

Your floating hoverboard wizard.

That's right, I'm a talking hoverboard.

I don't work on water.

I'll also never really exist.

But that is it.

It's me, the holding, the talking hoverboard wizard.

Tata for now.

And I'm Vern, the lovable son of Doc Brown. It's me, Vern, named after author, Jules Verne. Hey, Elizabeth Shoe, look at my dick. Look at my dick, Elizabeth Shoe. Hey, lookie here, look at here, I'm a dirty little boy. Dirty little boy. I'm in the movie. I'm in the movie. You can't erase me. I'm in the movie, dirty little boy. And if you feel like this introduction for this episode was weird, that is because we are merely

reflecting the weirdness of the Back to the Future sequels because they're so damn weird.

And it's such a funny thing.

This is one of the most uneven strange franch, in franchise history.

And I think that's just because, like, there's so, it's, you say uneven, but it's, like,

weirdly consistent also.

Almost too consistent, some might argue in a sense.

Almost like they were trying too hard to, like, tie all these different things together

and bring all this stuff back from the first

movie in a way that made it insanely complicated, especially in the second film.

It's something that I don't think we've ever, at least as adults, never like truly

re-investigated or re-engaged with. It's just back to the future, the cool movie trilogy

with like the fun, snappy dialogue

...