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Sticky Notes: The Classical Music Podcast

Bach, The Goldberg Variations

Sticky Notes: The Classical Music Podcast

Joshua Weilerstein

Arts, Performing Arts, Music

4.92.5K Ratings

🗓️ 13 August 2020

⏱️ 55 minutes

🧾️ Download transcript

Summary

In 1741, Bach published a piece called "Aria with diverse variations." Little did he know that the piece would become one of the most beloved and nearly mythical works in all of Western Classical Music. The piece I'm talking about is now referred to exclusively as "The Goldberg Variations." Today we'll talk through these remarkable variations, and as a special bonus, I was joined by Jeremy Denk, Mahan Esfahani, Inon Barnatan, and Vivian Hornik Weilerstein for a virtual panel discussion about the Goldbergs.

Transcript

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0:00.0

Hello and I'm a

0:02.0

a musical music podcast.

0:04.0

My name is Joshua Wilerstein. I'm a conductor and I'm the artistic director of the Lozan Chamber Orchestra in Luzon, Switzerland.

0:17.0

This podcast is for anyone who loves classical music, works in the field, or is just getting ready to dive in to this amazing world of incredible music.

0:24.8

Before we get started, I want to thank all of my Patreon sponsors for making season six possible.

0:29.4

If you'd like to support the show, please head over to pat.com Sticky Notes Podcast.

0:34.0

And if you are a fan of the show,

0:35.0

please just take a moment to give us a rating or review on Apple Podcasts.

0:38.0

Every rating and review helps more people find the show

0:41.0

and it is greatly appreciated.

0:44.0

If you had to describe Bach's Goldberg variations in one word, what would that word be?

0:51.0

Renewic, Infinite. Perfection. Spiritual. In 1741, Bach published a piece called Aria with diverse variations.

1:20.0

Little did he know that an apocryphal story and two landmark recordings would make this piece

1:24.8

one of the most beloved and nearly mythical works in all of Western classical music.

1:30.2

The piece I'm talking about is no longer referred to as Aria with diverse variations.

1:34.3

It is now referred to almost exclusively as the Goldberg variations.

1:38.8

It is a piece of contradictions and complexities that have been studied almost to their molecular levels.

1:44.6

It is a piece that has captured the imagination of hundreds of pianists and harpsichord players

1:48.9

and terrified them in equal measure.

1:51.3

It's a piece with a remarkable variety of character, but which rests almost exclusively in one key for nearly 80 minutes.

1:59.0

It's a piece of mathematical precision that nevertheless reaches constantly to a kind of cosmic

2:04.0

level of inspiration. And by the way what the piece isn't is a piece written for

...

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