4.8 • 23.1K Ratings
🗓️ 1 November 2019
⏱️ 21 minutes
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0:00.0 | Hi listeners, I'm Ashley Flowers and today I want to tell you a story about the time I went into |
0:07.7 | the house on Bappag lane, so gather around and listen close. |
0:37.3 | People always told me that my smile was the first thing that entered a room, but I'm not smiling now. |
0:43.7 | In fact, I'm terrified now. I can hear woodcreek above me and a distinct rusty hinge on a window |
0:51.2 | somewhere else in the house. This metal scraping metal sound, making itself known, it is there. |
0:58.2 | In this house full of ruins, something is moving. But 15 minutes, that's all I need to last. |
1:05.3 | I start to hop from foot to foot as if that somehow will calm the fireworks display that's |
1:13.4 | coursing up and down my body from the tips of my fingers to the bottoms of my feet, making me feel |
1:19.6 | like the actual human embodiment of what people would call a live wire. If such a thing meant |
1:25.0 | that you were also jacked up so high on adrenaline, it felt like your ears were about to explode. |
1:30.0 | Oh, and don't forget that itching, creeping feeling that makes every single hair on your body |
1:36.9 | stand on end. The feeling that tells you something most definitely is here with me. |
1:44.9 | But there's nothing here. I don't believe in ghosts. Even though I don't believe in ghosts in this |
1:51.7 | moment, I start to think about the old wives tales my mom used to tell me about ghosts haunting |
1:56.6 | this place. She said they could attach themselves to the mortal world with a human body that way |
2:02.6 | they can escape the prison of wherever they've been forced to haunt. I kind of shudder at the thought. |
2:09.5 | So far, I've just sequestered myself to the foyer of this big grand house on Babbage Lane. |
2:14.6 | And so far, I've handled the first five minutes in the middle of the first four landing pretty |
2:19.0 | well considering everything. Granted, I've shut my eyes for most of it, and that's sort of worked. |
2:24.9 | I try not to think about the broken French doors that lead off to the blackness to my left, |
2:30.4 | or what made them broken. I try not to think about the overturned, |
2:34.4 | moldy faded sofa through the archway to my right, or who flipped it over. |
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