4.9 • 3.6K Ratings
🗓️ 31 May 2021
⏱️ 14 minutes
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0:00.0 | My name is Podry O'Tumour and one of the things that's so intriguing about poetry is that |
0:06.4 | often poetry is written in the first person. |
0:09.6 | Somebody is speaking, I this, I that. |
0:12.8 | Your voicing words that they've written, but it's not your own words. |
0:17.6 | So space is brought into play between the voice of the poem and the voice of the person |
0:22.1 | is reading the poem out. |
0:23.8 | And especially when that space is wide part of the art of the poem is to step into that |
0:30.0 | space and to allow that space to challenge you. |
0:33.2 | What is the space between me and the speaker of this poem? |
0:36.4 | What are the ways within which our lives are nothing I like, but they're allowing me |
0:40.5 | by reading the poem out, to read the poem out in the first person in order for me to use |
0:45.0 | the imagination to map out the space of power and challenge between me and them? |
0:55.2 | When I was in Las Vegas and saw a warhole painting of Geronimo by B. William Bearhart, when |
1:04.8 | I was in Las Vegas and saw a warhole painting of Geronimo I thought we could be related |
1:11.6 | Andy and I, where both blue walls and yellow cows in a gallery of pristine white, where |
1:19.7 | both screen prints, offset and layered, under exposed, where both silver clouds filled |
1:27.6 | with helium and polluted rain, where both white and blonde and scared of hospitals. |
1:37.0 | Actually I'm not really any of those things. |
1:41.6 | And then I thought we could be related to Geronimo and I, where both code names for assassinations, |
1:51.6 | where both first names you yell when you jump from a plane, where both gamblers and dead |
2:00.2 | and neon acrylic brushstrokes on a screen printed image. |
2:06.1 | Finally I'm more like a neon beer sign, spottering in a tavern window, burned out, broke, a heart |
... |
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