B.B. King, Lucille, and the Rise of a Blues Legend
Our American Stories
iHeartPodcasts
4.6 • 817 Ratings
🗓️ 2 March 2026
⏱️ 38 minutes
🧾️ Download transcript
Summary
On this episode of Our American Stories, before he became known worldwide as B.B. King, he was Riley B. King, a young musician working the radio circuit in Memphis. Over time, his blues style, marked by precise bends and expressive vibrato, influenced rock, jazz, and rhythm and blues artists alike.
With his guitar Lucille in hand, B.B. King developed a tone and phrasing that set him apart from other electric guitar players and helped earn him the title “King of the Blues.” Here to tell the story is Pulitzer Prize-winning journalist Daniel de Visé, author of the first in-depth biography of B.B. in almost 30 years: King of the Blues: The Rise and Reign of B.B. King.
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Transcript
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| 0:00.0 | This is an I-Heart podcast. |
| 0:02.6 | Guaranteed Human. |
| 0:14.2 | This is Lee Habib, and this is Our American Stories, the show where America is the star |
| 0:20.0 | and the American people. Up next, the story |
| 0:23.2 | of a man who came up out of the cotton fields of the Mississippi Delta and into the bright lights |
| 0:29.1 | of the stage worldwide. We're of course telling the story of the chairman of the board himself, |
| 0:36.1 | B.B. King, whose unique style of guitar playing and voice |
| 0:40.3 | changed the music industry forever. |
| 0:43.7 | Here to tell the story is Daniel Davy Say, |
| 0:46.8 | author of The King of the Blues. |
| 0:49.3 | Take it away, Daniel. |
| 0:50.6 | Let's start with a proposition that B.B. King is the one superstar of the blues. |
| 0:55.8 | There are arguably equally great figures in the blues, maybe Muddy Waters is one, maybe |
| 1:01.6 | possibly Robert Johnson is one, although B.B. would disagree with that. |
| 1:05.8 | But he's certainly the one superstar of the blues, and I say this because he toured like |
| 1:09.8 | 90 countries and, you know, |
| 1:12.0 | at all these Grammys and sold massive numbers of records. He's much bigger than any other blues |
| 1:16.9 | artist ever was. That's the starting point. But I would argue that why he matters is not just that, |
| 1:24.2 | not just the fact that he may have played more concerts, which is close to 20,000 |
| 1:28.3 | than any other major musical artist ever. |
| 1:30.3 | I don't think anybody comes close. |
| 1:32.3 | Even that isn't why he matters. |
... |
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