4.8 • 733 Ratings
🗓️ 26 August 2024
⏱️ 66 minutes
🧾️ Download transcript
In this month’s bonus episode, Bianca interviews writer, journalist, and author Fiona Barton. They discuss the resounding success of Fiona's debut, The Widow, and its unique journey to publication; the editing process with her agent; the transition from journalism to writing fiction; why Fiona included a prologue in her latest thriller, Talking to Strangers and what she wants readers to take from it; and the social commentary in the novel.
After which, Bianca chats with Jean Meltzer, screenwriter and author of the rom-com, Magical Meet Cute. They discuss the importance of the meet-cute in a rom-com; surprising the reader in your opening pages; writing your characters' dialogue in a way that accurately reflects their background and who they are; Jean's advice for including words that the reader might not understand; writing fun and interesting secondary characters without them stealing the limelight; building a sense of community without overwhelming the reader with too many characters; some of Jean's favourite romantic tropes; writing for yourself versus writing for a specific type of reader; and whether or not rom-coms need a HEA or a HFN.
If you’re looking for our usual Q&A segment, that now gets published as part of our end of the month Substack newsletter. Subscribe to get access to that, and so much more, for free: https://theshitaboutwriting.substack.com/
Our Comps Segment with Emilie Sommer will return in September.
Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
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You can find out more information about Fiona on her website at https://www.fionabartonauthor.com/
She's also on Twitter at https://x.com/fionabarton and Facebook at https://www.facebook.com/fionabartonauthor/
You can find out more information about Jean on her website at https://jeanmeltzer.com/
She's also on Instagram at https://www.instagram.com/jeanmeltzer and Facebook at https://www.facebook.com/jeanmeltzerauthor/
For more information about the All About Fantasy Virtual Retreat, go to:
https://www.biancamarais.com/all-about-fantasy.html
Click on a timestamp to play from that location
0:00.0 | It's a new year and time to get fresh eyes on your work in progress. |
0:04.8 | Are you looking for beta readers, some of whom might potentially become writing group members |
0:09.2 | down the line? |
0:10.2 | Are you wanting to be matched up with those writing in a similar genre and or time |
0:15.0 | zone so they can critique your work as you critique theirs at the same time? |
0:19.5 | Your manuscript doesn't have to be complete to sign up |
0:22.1 | for this 3,000 word evaluation. This matchup will be open to registrations from now until the |
0:28.5 | 2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day. |
0:35.4 | For more information and to register, go to Bianca Moray.com and go to |
0:39.7 | the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this |
0:45.7 | time. The more writers we have signed up, the better the matches will be. Hello from CC. |
0:52.6 | I'm so excited to announce an all new class called Starting It |
0:56.4 | Right, which is all about how to begin your story in the best place and in the best way. Now, |
1:01.6 | this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different |
1:06.9 | types of beginnings and how to choose the best one for your story, how to frame your |
1:11.6 | inciting incident in a compelling way, common mistakes writers make when starting a story, |
1:17.3 | how to balance exposition and mystery, how to make readers connect with your protagonist, and how |
1:23.6 | to make the reader want to turn to the next chapter and so much more. |
1:28.3 | And guess what? |
1:29.3 | For the first time ever, there will be an interactive component to my class. |
1:34.3 | Everyone who is registered will have the option of sending in the opening scene of their work |
1:40.3 | for a chance to be critiqued during the webinar. |
... |
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