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Folger Shakespeare Library: Shakespeare Unlimited

Auditioning for Shakespeare

Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library

Arts

4.8879 Ratings

🗓️ 12 January 2016

⏱️ 30 minutes

🧾️ Download transcript

Summary

Laura Wayth, our guest for this episode of Shakespeare Unlimited, is Assistant Professor of Theatre at San Francisco State University and the author of a “how-to” book called "The Shakespeare Audition: How to Get Over Your Fear, Find the Right Piece, and Have a Great Audition." Wayth was interviewed by Neva Grant, and she was joined by actors Stephanie Ann Foster, Mike Ryan, and Bruce Avery. From the Shakespeare Unlimited podcast series. © January 12, 2016. Folger Shakespeare Library. All rights reserved. "A Poor Player That Struts and Frets His Hour Upon the Stage" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Melissa Marquis at NPR in Washington and Darren Peck at the Sports By Line studios in San Francisco.

Transcript

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0:00.0

From the Folger Shakespeare Library, this is Shakespeare Unlimited.

0:06.0

I'm Michael Whitmore, the Folgers director.

0:09.0

This podcast is called A Poor Player that struts and frets his hour upon the stage,

0:14.0

and it's directed at a specific portion of our Shakespeare Unlimited audience,

0:18.0

people who appear on stage in Shakespeare, and even more so,

0:23.5

people who may want to appear on stage in Shakespeare, but haven't yet.

0:28.6

Laura Waith, assistant professor of theater at San Francisco State University, has written

0:33.5

a how-to book called The Shakespeare Audition, How to Get Over Your Fear, Find the

0:39.1

Right Peace, and Have a Great Audition. We brought Laura in, along with a group of actors, to demonstrate

0:44.8

techniques that can help even the newest aspiring Shakespearean shine on stage. Laura is interviewed

0:52.1

by Neva Grant. So, Laura, what inspired you to write this book?

0:56.5

There's nothing else like this out there. And I sometimes teach at American Conservatory Theater,

1:02.1

and they have a two-week Shakespeare intensive, which is really to get actors, you know, a little

1:07.1

bit of skill in handling Shakespeareverse. And I asked my students at the end of

1:12.7

the two-week session why they wanted to take a class like this. And they told me that they were

1:18.2

absolutely terrified of doing Shakespeare. They didn't know how to approach it. They didn't know how to

1:23.0

find material. And that they really, really needed to find a way to get a handle on it quickly.

1:29.2

So I thought, you know, that's a unique program at American Conservatory Theater.

1:32.9

There must be many actors out there who need something like that.

1:36.0

And if they're in a more rural area or something, they don't have access to that.

1:41.0

So I thought, why not write a guide that would be kind of a quick hit for actors who

1:45.5

needed that kind of experience and that kind of training very quickly. You know, that's such a

...

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