4.2 • 970 Ratings
🗓️ 23 January 2019
⏱️ 91 minutes
🧾️ Download transcript
AP Andy is in Mexico researching Posadism. Jamie is wherever goth socialists go to do goth-soc things. So Sean KB recorded an ep with fellow history nerd, Matt Christman of The Chapo Trap House, who is similarly tyrannized by the weight of dead generations.
The question: Why, of all advanced capitalist countries, is the United States unique in its historical failure to form a bone-fide Labour/Socialist party organically tied to the union movement as an institutionalized political expression of working class interests? The answers may surprise you.
The Antifada is an ultraleft-wrecker podcast of which History is a Weapon is an ongoing series. To support our subversion of American values and get a lot of cool stuff in return (bonus episodes, stickers, discords!) subscribe today at www.patreon.com/theantifada
You can likewise support Matt Christman's excellent comedy/politics podcast at www.patreon.com/chapotraphouse and find him on twitter @cushbomb
Closing music: Billy Joel - We Didn't Start the Fire (Vaporwave)
Click on a timestamp to play from that location
0:15.5 | So it's funny Matt you mentioned. We didn't start the fire. You want to hear a real Long Island hour story? |
0:16.5 | Hell yes. |
0:17.5 | Give it to me. |
0:18.5 | My grandfather lived down Suffolk County, not far from where Billy had one of his homes. |
0:25.0 | And one of my grandfather's friends was like a maintenance guy, right? |
0:28.0 | So he worked for Billy Joel. |
0:30.0 | Back in the, I didn't say like mid-80 late late 80s he this maintenance guy goes over to Billy Joel's house and |
0:37.3 | Billy Joel sitting in his office and he's like I need this done that done whatever so the guy looks around Billy Joel's place and there are just |
0:44.4 | tons and tons of like Time and Newsweek magazines going all the way back you know |
0:50.9 | it's like the 40s and 50s and the guys like what |
0:53.7 | he just really really obsessed with like Henry Lewis or something like that and then |
0:57.5 | you know he didn't understand until a year later the fucking song came out it was Billy Joel getting into the |
1:04.0 | fucking archives that was his process motherfucker researched a |
1:07.4 | fucking pop song that is dedication that is real dedication I gotta say I mean I gotta give him more credit after hearing that. I mean he didn't just take a bunch of ludes |
1:17.7 | listing things that you remember from his childhood. I mean he may have been on ludes all probably but at least he kind of engaged with the time period and it's popular culture media and you know if you think about all these kind of touchstone cultural moments that that he lived through, |
1:33.0 | you know, what better way to get to them |
1:35.1 | than to simply take all of these like popular magazines |
1:38.0 | and just look at the fucking front cover, right? |
1:39.9 | And then just list things that happen. |
1:42.1 | Yes. Without regard for coherence, thematics, vague rhyme, the only |
1:47.1 | that you care about. I mean that's the kind of slipshod impressionistic totally system endless approach to thinking about history that |
1:55.2 | leads you to at the end of your song to announce after all that stuff that you've talked |
... |
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