4.6 • 639 Ratings
🗓️ 7 September 2011
⏱️ 28 minutes
🧾️ Download transcript
The owner and editor-in-chief of Wax Poetics talks with Elvis Mitchell about the magazine's beginnings and what he hopes to achieve in each issue...
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0:00.0 | From KCRW, Santa Monica and KCRW.com, this is The Treatment. |
0:15.4 | Welcome to The Treatment. I'm Elvis Mitchell. You can also hear the show at KCRW.com. |
0:20.1 | Well, like all great ideas, what Wax Poetic Magazine did when it started 10 years ago |
0:25.0 | was fill in a gap. |
0:27.0 | No magazine had ever treated hip hop and the forms that led to hip hop from funk to R&B to jazz |
0:33.0 | to salsa thoughtfully. |
0:35.4 | Its creator and editor-in-chief, Andre Torres, was among the first to do that with his |
0:39.3 | magazine, celebrating 10 years. |
0:41.1 | I'm thrilled to have him here sitting across me. |
0:42.7 | Andre, thanks so much for being here. |
0:44.3 | Elvis, thank you for having me. |
0:45.6 | I'm honored. |
0:46.2 | One of the things that the magazine really does is treat hip-hop culture thoughtfully, because |
0:50.7 | there tends to be two kinds of magazines that went to extremes, either the rough and |
0:55.2 | ready stuff like the source in the early days or double XL or people that would treat so |
1:01.3 | much so scholarly that it seemed almost condescending. And what you really do with the magazine |
1:06.7 | is getting to the roots and the guts of it and all these influences from people like |
1:11.6 | Al Cooper to Oliver Sane. I mean, it's a wide expanse of people who fed into what hip-hop culture |
1:17.1 | is. Yeah. You know, when we started, I definitely saw a void. You know, I grew up listening |
1:22.8 | to hip-hop and, you know, I was one of the first of that generation who really saw it as our music. |
1:31.2 | And when I looked at the magazines, I didn't see, it almost appeared as if hip hop occurred in a vacuum. |
1:38.5 | There was no cultural connection to anything else that had happened previously. |
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