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Historical Blindness

"An Idle and Most False Imposition"; The Shakespeare Authorship Question - Part One: Drama's God

Historical Blindness

Nathaniel Lloyd

Politics, News, Religion & Spirituality, History, Religion

4839 Ratings

🗓️ 23 April 2024

⏱️ 38 minutes

🧾️ Download transcript

Summary

In the first part of a special WEEKLY 4-part series on the Shakespeare authorship controversy, I look at Shakespeare's deification as a godlike literary figure, examine the dearth of information about him, which led to many forgeries and much conjecture, and trace the development of baseless doubts about his identity. Visit factormeals.com/blind50 and use code blind50 to get 50% off your first box and 20% off your next box! Direct all advertising inquiries to [email protected]. Visit www.airwavemedia.com to find other high-quality podcasts! Find a transcript of this episode with source citations and related imagery at www.historicalblindness.com sometime before the release of the next episode. Pledge support on Patreon to get an ad-free feed with exclusive episodes! Check out my novel, Manuscript Found!  And check out the show merch, which make perfect gifts!  Further support the show by giving a one-time gift at paypal.me/NathanLeviLloyd or finding me on Venmo at @HistoricalBlindness. Some music on this episode was licensed under a Blue Dot Sessions blanket license at the time of this episodes publication. Tracks include "Borough," "Tarte Tatin," and "Invernen." Other music, including "daemones," "Brooks," "Remedy for Melancholy," and "daedalus" are by Kai Engel, licensed under Creative Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

You're listening to an Airwave Media podcast.

0:04.3

Hey, history fans. If you enjoy shows like historical blindness, then you'll love Airwave

0:09.2

History Plus, now available on Apple Podcasts. Airwave History Plus is your ticket to

0:13.9

ad-free listening to historical blindness plus bonus content in early episodes from dozens of

0:18.9

the most popular history shows, including History

0:21.3

That Doesn't Suck, The Explorers Podcast, Redacted History, The Box of Oddities, History of Everything,

0:27.8

Queen's podcast, the history of World War II, The Age of Napoleon, and more. To get your free

0:33.2

seven-day trial, go to the Apple page for historical blindness and hit subscribe or search Airwave

0:38.5

History Plus on Apple Podcasts. Airwave History Plus, the essential audio destination for history lovers. Doth anyone here know me?

1:01.9

These are the words of William Shakespeare's doomed King Lear, whose kingdom is divided,

1:08.2

and who, in the end, loses himself to madness and despair.

1:13.2

Since the illustrious career of The Bard, the greatest of English playwrights and poets,

1:19.2

and perhaps even the greatest in the world, there have been scholars of Shakespeare, who,

1:24.5

lacking much contemporary documentation of the man's life, turned to his works

1:29.8

for indications of who he was, imagining all his works to be autobiographical, and thus

1:37.1

interpreting his characters as versions of himself. According to this view, then, we might imagine the words of King Lear,

1:46.5

quote, who is it that can tell me who I am, end quote, in the mouth of William Shakespeare himself,

1:53.7

especially because his very identity would eventually come to be doubted. How could this be? In part, it's because of a dearth of

2:03.5

primary source records about his personal life. We do know that a man named William Shakespeare

2:10.0

was born into a farming family in Stratford-upon-Avon in 1564, his father a glove-maker and a city alderman. At 18 years old, he married

2:21.2

Anne Hathaway, a woman eight years his senior, who was already pregnant with their first child,

2:27.9

a daughter. Their firstborn would be followed by twins, one of whom, his only son, would

...

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