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0:00.0 | You are a human animal. |
0:07.5 | You are a very special breed, |
0:11.6 | for you are the only animal. |
0:14.9 | Who can think, who can reason, who can read. |
0:19.2 | Hello, and welcome to Bookworm. |
0:24.5 | I'm here today with the great Israeli novelist Amos Oz. |
0:29.3 | His most recent book is Panther in the basement, published by Harcad Brace and Company. |
0:36.5 | Among his more recent books are Don't Call It Night, FEMA, to Know a Woman, Black Box, |
0:38.7 | and to go back to the beginning, of course, |
0:47.9 | my Michael, elsewhere, perhaps, touch the water, touch the wind. Now, FEMA is a young person's story, and in fact, you say in it that everything has two sides except a shadow. And it seems to me that because this |
0:58.8 | book is the story of a very young person who has not yet learned the two sides of everything, |
1:06.0 | it's a more simple account than you usually find in an Amos-Az novel. Well, it's a more simple account than you usually find in an Amos novel. |
1:13.8 | Well, it aims at a certain simplicity. |
1:16.7 | Perhaps I should define it as a second simplicity, not below but beyond complexity. |
1:23.1 | It's about a little boy who, a young boy, who assumes that everything has two sides except for a shadow, |
1:29.5 | but eventually in the course of this short novel, he discovered that shadows too cast shadows. |
1:35.4 | He says, in fact, that some of his knowledge when he was a boy, because now he's grown up and writing this book, |
1:43.2 | came to him in the form of a shadow, |
1:45.5 | that he would know things before he knew he knew them. |
1:48.6 | And it seems in a sense that this book is written within that shadow, |
1:55.3 | the place before you know what is actually happening. |
1:59.2 | And there's a good deal of reconstruction that a reader does after the book to find out what |
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