4.6 • 6.1K Ratings
🗓️ 5 February 2017
⏱️ 67 minutes
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0:00.0 | You're on her. I derive much consolation from the fact that my colleague, Mr. Baldwin, |
0:25.4 | here has argued the case and so able and so complete a manners to leave me scarcely anything to say. |
0:31.7 | However, why are we here? How is it that a simple plain property issue? I should now find itself |
0:39.5 | a noble to be argued before the Supreme Court of United States of podcasts. |
0:43.9 | And great great. I think it's scarcely and so scarcely. I don't know who's fucking cares. Put your |
0:50.8 | Amazon kindle down. We're accepting that. Yeah. Yeah. Four times the charm. Hi, everybody. My name is Griffin Newman. |
0:57.2 | I'm David Sims. I'm looking to blank check with Griffin and David. Yes. It's a podcast about movies, |
1:01.5 | filmography. We look at directors who have had massive success early on guests. Here is a blank |
1:05.6 | check to make their own crazy passion projects. And sometimes I'm passion projects, but just are able |
1:11.5 | to do weird things. Sure. That people who don't have massive success can't do. That's a good way |
1:17.3 | of putting it less clearly than I've ever put it before. Sometimes those checks clear and sometimes |
1:22.3 | they bounce. Baby. Great. This is a me series about the films of one steveyspielberg. Yes. |
1:30.0 | It is called pod me if you cast. That's right. And it's about Steven Spielberg, the DreamWorks here. |
1:36.5 | His life post Oscar. This is technically his first DreamWorks movie we're talking about today. Yes. |
1:40.7 | Our first episode was about the lost world, but that was, you know, it was a universal picture. |
1:45.1 | We're flubbing it a little bit, but you know, it was post Oscar and we wanted to talk about the |
1:48.3 | lost world. And we did not want to open our series with the Amistad. Amistad. Our second episode is |
1:55.5 | about the film Amistad. Yeah, I listen to a couple white guys talk about a white guy making a |
2:00.6 | movie about slavery. Yeah. Yeah. Yeah. Yeah. You know, one hand, we're very qualified to talk about |
2:06.5 | this because this movie was made by white men who shouldn't have made it. And it was made for white |
2:11.2 | people. Right. Yeah. Like on that hand, we are qualified to talk about this. But on the other hand, |
2:16.1 | shouldn't we all be just disqualified from life and criticism forever? I agree, Ben, all white man. |
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