American Gangster w. Sin á Tes Souhaits

You Are Good

Sarah Marshall + Alex Steed

Film History, Film Reviews, Relationships, Society & Culture, Tv & Film

4.8 • 2.7K Ratings

🗓️ 19 May 2021

⏱️ 99 minutes

🔗️ Recording | iTunes | RSS

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Summary

American Gangster goes deep on power, racism, organized crime, geopolitics and—of course—dads and we get into all that and more with the fabulous Sin á Tes Souhaits. We also have a fun update regarding our Pretty in Pink episode! You can find Sin here: Twitter (https://twitter.com/sinfromvegas) and on the Information Super Highway (https://toyourwishes.com/). The Why Are Dads cherub shirt design (https://www.bonfire.com/why-are-dads-the-shirt/) will only be available through May 28th, 2021 and then it'll be retired for good! We made a playlist to accompany this episode! (https://open.spotify.com/playlist/0d6cQtcqwXLbwzSAADymGD?si=4012674a786440e6) It's comprised of songs that come to mind when we all think about this movie. Why Are Dads (https://www.podpage.com/why-are-dads/) is a show in which hosts Sarah Marshall and Alex Steed attempt to understand what the hell it means to be the grown children of dads and other dad-like figures. And, as they do with all difficult subject matter, they do so by looking through a pop culture lens. You can find us on Twitter (https://twitter.com/whyaredads), Instagram (https://instagram.com/whyaredads) and Patreon (https://www.patreon.com/whyaredads). You can find producer and music director Carolyn Kendrick's music here. (fanlink.to/ctuc) She's also on Twitter (https://twitter.com/carekendrick). Fresh Lesh (https://www.freshlesh.com/) produces the beats for our episodes. Abigail Swartz of Gray Day Studio (https://www.graydaystudio.com/) designed our logo!

Transcript

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0:00.0	Hello Sarah Marshall. Hello Alex Seed. We're talking about American gangster today. How
0:12.9	do you feel about that? I'm really excited about it. I feel like this is one of the episodes
0:18.3	where we went for our allotted time and we're starting to show fatigue but still had another
0:25.9	show is worth of stuff to say and yeah that's always really exciting. It's interesting like what we do
0:33.9	is not work because we talk about movies and feelings and ideas and stuff but we there's certainly
0:42.6	a point in the conversation where you've been talking about these things intensely for a while
0:48.2	and you can you can wear but you still want to keep going and I think that that's how we left
0:52.3	this which was very nice. Yeah and then it's like Ernest Hemingway said like at the end of the
0:56.9	day you always leave a little more American gangster to talk about that you're excited to get to
1:01.2	next time. Actually it's so funny I just just the second red a jendillion analysis of Ernest Hemingway
1:10.2	which we will cut out of this because it's that's a like the most inseparable thing I can say.
1:14.7	Yeah you could say my core stuff. She is the Jim Morrison of Marissa Robisi's let's be honest.
1:25.4	I hope that we can somehow get that message to to Griffin Dunn to deliver up the flagpole.
1:30.7	Yes and she'll be like what? Excuse me. What do you think
1:37.1	jendillion's engagement if any at all was with Jim Morrison?
1:42.5	Well she wrote a piece about Jim Morrison or about like sitting in on a recording session with the
1:47.1	doors and how I think it was just that Jim Morrison wasn't showing up to work and just people trying
1:52.8	to figure out what to do when Jim wasn't there. I can't remember like do they actually encounter
1:57.3	each other in that or is it just like I was where Jim Morrison should have been but was not.
2:02.5	I think it was I was where Jim Morrison should have been like it's very interesting to me that
2:07.5	Joan Didian has become this like symbol of the sixties when as far as I can tell she kind of hated
2:13.2	the sixties. She sure did. She sure did. It was like was there for some parts of it but also just
	...

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