Alexandria Stapleton on chronicling the rise and reckoning of Sean Combs
The Business
KCRW
4.5 • 697 Ratings
🗓️ 30 January 2026
⏱️ 30 minutes
🧾️ Download transcript
Summary
This week, Kim speaks with Alexandria Stapleton, the DGA Award nominated director of Sean Combs: The Reckoning, a Netflix docuseries that examines the rise and fall of the hip hop mogul. Stapleton discusses partnering with executive producer 50 Cent, her approach to telling the story without turning it into a hit piece, and the care required when working with the alleged victims of Combs. She also explains how Netflix’s legal team vetted controversial pre arrest footage that Combs had commissioned himself.
Plus, Masters and Matt Belloni break down the final Sundance Film Festival hosted in Park City, and try to make sense of the $40 million+ Melania Trump documentary, including a reported $35 million marketing spend. The banter partners also dig into newly unsealed messages in the Blake Lively and Justin Baldoni dispute, including Ryan Reynolds’ not-so-subtle emails to Sony executives.
Transcript
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| 0:00.0 | From KCRW, I'm Kim Masters, and this is The Business. |
| 0:06.3 | Alexandria Stapleton's docu-series, Sean Combs the Reckoning, was a massive hit for Netflix. |
| 0:11.7 | Other versions of the story had already been told on different outlets, |
| 0:15.3 | but Stapleton says working with the streamer was the only way for her to capture the saga of the fallen hip-hop mogul. |
| 0:21.5 | There wasn't going to be like a gun to my head to get it out, you know, in three months or six months. |
| 0:27.0 | And it's like, how could you do a really accurate assessment of the story when you're putting out something way in advance of the actual trial happening. |
| 0:38.5 | Stapleton tells us how partnering with executive producer 50 Cent |
| 0:42.1 | opened doors for her but did not compromise for editorial independence, |
| 0:46.4 | despite 50's long public beef with combs. |
| 0:49.4 | She also discusses the care she exercised to let alleged victims come forward on their own terms. |
| 0:55.1 | And she addresses what she won't address. |
| 0:57.6 | How did she obtain private footage of combs in the days leading up to his arrest? |
| 1:02.1 | Footage that he had commissioned himself. |
| 1:04.8 | But first we banter. |
| 1:06.2 | Stick around. |
| 1:06.8 | It's the business from KCRW. |
| 1:11.7 | I am joined by my partner in banter. |
| 1:14.1 | Matt Bellany. |
| 1:14.7 | Hello, Matt. |
| 1:15.4 | Hi there. |
| 1:16.1 | So you're back from Sundance. |
| 1:18.0 | The last one in Park City. |
... |
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