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Need To Know

Age of Disclosure?

Need To Know

Bryce Zabel

Society & Culture, News

4.7 • 548 Ratings

🗓️ 23 November 2025

⏱️ 71 minutes

🧾️ Download transcript

Summary

In this episode of Need to Know, Richard Dolan and Bryce Zabel break down the newly released documentary Age of Disclosure. They frame it as one of the strongest insider-driven treatments yet, highlighting its focus on government officials, intelligence veterans, scientists, and military figures who openly discuss crash retrievals, non-human intelligences, legacy programs, and decades of secrecy. Both hosts note that the documentary lands at a moment where cultural, political, and media attitudes toward UFOs have shifted dramatically. Mainstream outlets like CNN and Fox now discuss the subject without ridicule, and high-level voices like Marco Rubio, Hal Puthoff, Eric Davis, and Lue Elizondo speak more freely than ever before. The film, they argue, captures this moment of accelerating transparency. 

Dolan and Zabel explore several major themes raised in the documentary: the long-running battle between "legacy" crash-retrieval programs and a reformer faction trying to force disclosure; the rarity of hard evidence due to intense classification; the gravity of claims like Roswell recoveries, bodies, and craft with space-time distortions; and the emerging recognition that USOs and oceanic activity may be central to the phenomenon. They emphasize that many of the figures featured—especially Puthoff, Davis, Mellon, Stratton, and Elizondo—are credible, deeply embedded insiders who have carefully chosen how far they can speak without violating classification. The documentary's high production value and careful presentation also set it apart from most UFO media, making it a potential reference point for newcomers and longtime followers alike.

The hosts conclude that Age of Disclosure is not "Disclosure" itself, but rather a significant milestone marking a cultural shift. They see the film as a snapshot of a world entering an era where secrecy is harder to maintain and insider testimony is becoming unavoidable. The documentary, they argue, is more of a conversation catalyst than an end point—an artifact of a system cracking under its own weight, where insiders feel increasingly liberated to speak and the public grows more prepared to hear it. Whether or not it triggers political action, they believe it will be remembered as part of the slow but undeniable march toward greater transparency around the UAP issue.

Transcript

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0:00.0

This is Need to Know, news, context, and analysis about anomalous phenomena.

0:12.1

Here's some real talk from two authors who literally wrote the book on disclosure.

0:17.1

From New York, Richard Dolan.

0:19.0

From Los Angeles, Bryce Zabel.

0:21.3

Let's get started.

0:22.7

Hello, everyone.

0:23.3

I'm Welcome to Need to Know.

0:24.7

I'm Richard Dolan.

0:25.7

And this is my first time doing the lead of the discussion.

0:29.5

But I'm here with Bryce Zabel.

0:33.0

I'll bring him in just one second.

0:34.5

We're going to be talking about the latest UFO, UAP documentary that has hit

0:41.1

the world, and that is Age of Disclosure produced by Dan Farrar. It's gotten a lot of a build-up

0:48.3

over the last several months, actually, even over the last year. And it became available. It premiered in a number of

0:57.0

theaters across the country. But I think most significantly, for most people, it became available

1:02.3

yesterday on Amazon Prime, where you can rent or buy it. And Bryce and I both have seen it. And we are

1:09.3

here to talk about it. Bryce, why don't you come on?

1:12.4

Hey, Rich, boy, worth waiting for is the phrase I think about right now. And as you mentioned,

1:18.6

it has been seen before. It debuted at South by Southwest. So long ago, a lot of people put it

1:24.9

out of their minds. It had trouble, I think, finding distribution,

1:29.3

but it hasn't. Just so everyone understands, we're talking about Age of Disclosure, directed by

1:34.0

Dan Farah. It debuted on Amazon Prime, although in other theaters, as you mentioned, Rich, and that's

...

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