Afterparty: 25-27. Boiling Reef III-IV & Divine Labyrinth I
Join the Party
Multitude
4.9 • 1.4K Ratings
🗓️ 31 October 2023
⏱️ 82 minutes
🧾️ Download transcript
Summary
How many door knobs are too many door knobs? How do you bring mixed successes into D&D? And are the players not concerned that they stumbled into an international incident? All that and more on the Afterparty!
Check out the Conversation Pit channel on our Patreon discord and keep sending in questions!
Dive into our ship combat mechanics, classes from Mage Hand Press, the countries of Verda Stello, and other changes we’ve made for C3 HERE!
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- Betterhelp, where you can get 10% off your first month at betterhelp.com/jointheparty
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Cast & Crew
- Game Master, Co-Producer: Eric Silver
- Co-Host (Umbi), Co-Producer, Sound Designer, Composer: Brandon Grugle
- Co-Host (Chamomile Cassis), Co-Producer: Julia Schifini
- Co-Host (Troy Riptide), Co-Producer: Amanda McLoughlin
- Theme Song: Lyrics by Eric Silver, music by Brandon Grugle. Vocals by Brandon Grugle, Lauren Shippen, Julia Schifini, Roux Bedrosian, Eric Silver, Tyler Silver, and Amanda McLoughlin. Available for purchase here.
- Artwork: Allyson Wakeman
- Multitude: multitude.productions
About Us
Join the Party is an actual play podcast with tangible worlds, genre-pushing storytelling, and collaborators who make each other laugh each week. We welcome everyone to the table, from longtime players to folks who’ve never touched a roleplaying game before. Hop into our current campaign, a pirate story set in a world of plant- and bug-folk, or marathon our completed stories with the Camp-Paign, a MOTW game set in a weird summer camp, Campaign 2 for a modern superhero game, and Campaign 1 for a high fantasy story. And once a month we release the Afterparty, where we answer your questions about the show and how we play the game. New episodes every Tuesday.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Hey, hi, hello, and welcome to the after party players. How are we feeling on this first leg of the divine labyrinth? |
| 0:07.0 | We heisted and now we're doing a labyrinth. God, I just love D&D. |
| 0:14.0 | So good. |
| 0:15.0 | I'm feeling divine, Amanda. |
| 0:17.5 | I'm not, Eric, how are you feeling? How is Aldi in trapping you've been doing with us? |
| 0:21.5 | Good. Nothing is more fun than sending all of you out of the room. I really enjoy it. |
| 0:27.0 | I know it really is fun. I also want to say that since I record in person with Amanda, we're here in the multitude studio. |
| 0:34.0 | She does leave the room when I'm doing the episodes with Julia. |
| 0:38.0 | And then when I need to get her back, obviously with Brandon, I send him a message. |
| 0:43.0 | The thing that happens is that when I call Amanda in, she's sitting, she's like 20 feet away from me, but there is a window in between me and her. |
| 0:52.0 | Hey, Eric, soundproof glass. |
| 0:54.0 | It sounds proof, it sounds proof, for sure, but she can see me. |
| 0:57.0 | So I knock on the window and every time Amanda looks like she's in fourth grade and her teacher told her to stop sharpening pencil so much. |
| 1:05.0 | Yeah, it's not fair. It's not proportional. It's simple. It's, listen, that's on me. |
| 1:12.0 | This is a little bit of a tangent here, but I wanted to sympathize with you, Amanda, because I realized the other day that I still have that impulse because I was on the rooftop. |
| 1:20.0 | Gardening and giving my cross peanuts. And we have nobody knows that we give the cross peanuts. |
| 1:26.0 | And I always, in fact, I'm like, is it annoying that there's peanut shells and or birds everywhere to everyone? |
| 1:31.0 | And my neighbor came up and she started chatting for me for a second. |
| 1:35.0 | And I had to, like, I felt like I got caught giving peanuts to the birds. |
| 1:39.0 | Yes, caught. I was just stacking. |
| 1:42.0 | I wasn't skateboarding. |
| 1:44.0 | I was just using it as a measure. It was just just holding it. |
... |
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