Hello and welcome to the AEW Dynamite review, I'm Adam Wilborn from What Culture, joined

by the Daddy Boys of What Culture, Michael Hanford and Michael Sidgerick here to review

everything that happened on last night's episode of AEW Dynamite.

But before we get into it, if you're a fan of this sort of thing, make sure you subscribe

to What Culture, resting on either iTunes, Spotify or wherever you get your podcasts from,

or daily wrestling podcasts. Well, we know only review AEW Dynamite, but also AEW, Rampage,

Raw, Smackdown and XT2, but oh, baby views, premium live events, we have interviews, round

table discussions and a round of the week complete, whether or not you can quiz, of course,

on WrestleCulture. As I said, they're joined by the Daddy Boys to review AEW Dynamite, a really

enjoyable show in parts, and they can't bloody help themselves sometimes with that ending

to this show, Kenny Sage. Yeah, absolutely. I'll get there at the end, chronological

order and all that. I'll level with you. I thought this Dynamite was very good without

being truly a great episode of Dynamite, and I don't know if that was as a result of my

subjective mood. Earlier this week, Adam Wilborn, I was promised a new David Lynch film to

be screened at the Cannes Festival next month. It's one thing. So it's hardly prolific,

namely. No. And his work is so, it's such that he never really gets funding very readily.

So I'm thinking it's one thing to say, our David Lynch's work on a new project, and

you might get it in two or three years. Amazing. Are you going to get next month up a

height earlier this week? And then, I was a little Balox, some people peered, we've made

it up, and it's so cruel because David Lynch's films are so open to interpretation that

is a byproduct of that. Literally everything he says or any report must be open to interpretation

as well. That's the kind of audience that he's sort of fosters. So everyone's like everyone

...