Hello and welcome to the AEW Dynamite review. I'm Adam Wilborn from What Culture Join by

the Deadly Boys of What Culture, Michael Hampler and Michael Zidwick here to review everything

that happened on last night's episode of AEW Dynamite. But before we get into it, if you're

a fan of this sort of thing, make sure you subscribe to What Culture Wrestling on either iTunes,

Spotify, we're going to get you podcasts from for daily wrestling podcasts where we

not only review AEW Dynamite, but also Raw, SmackDown and NXT pay reviews. We have interviews

around table discussions and a round of the week complete where the money, of course,

aren't recycled. As I said, they're joined by Hampler and Zidwick to review Dynamites.

And I think it's fair to say, Zidge, a rollercoaster of an episode last night.

It was the best of times. It was the worst of times.

And here's the thing about this episode of Dynamite. There was one segment on it and it's not

even the one that Hampler hated the most. I don't think. But there was one segment on the show

that left me with such an awful taste in my mouth that I left that episode wildly uneven

in quality. I'm like, a bit of a down note. Like, I should have been raven about how they've

restored Miro or how they've just not even restored them. There's nothing to restore how they've

made Miro. Should have, I was dancing on the ceiling at the time with the just, perfect.

Perfect. I'm talking about hyperbally, but this isn't hyperbally. The perfect end

presentation of that opening segment of television. I love the main event. I love the opener.

I loved, I was the high guy on Youngbook's SAU. This was like the very best of Dynamite and the

very worst. And the worst was so concerning that I was left to linger on that, which is

bad considering how great the great was. Yeah, it may surprise you used to know that, like,

I think I did hate the thing you're talking about more than the other thing. I really, really

...