Hello, and welcome to the AEW Dynamite Preview, I'm Adam Wilborn from What Called Your Join by one of the Daddy Boys, Michael Sidjwick from What Called Your To Look Ahead to Tonight's Episode of AEW Dynamite.

But before we get into it, if you're a fan of this sort of thing, make sure you subscribe to What Called Tressing on Apple Podcasts, Spotify, Amazon Music.

We're going to get you podcasts from for daily wrestling podcasts, where we're not going to review AEW Dynamite, but also AEW Collision.

Raw SmackDown, the show formerly known as NXT 2.0, pay per views, premium live events, we have interviews, round table discussions, and a round of the week, complete.

Little bit of a quiz, of course, on WrestleCook charts.

Oh, I'm sorry, I missed it, I had to read a message.

I'm really good.

You do the intro again.

Formerly known as NXT 2.0.

Oh, anyway, as I said, they're joined by Michael Sidjwick to look ahead to tonight's episode of AEW Dynamite, and all the fallouts from Blood & Guts,

but before we get into tonight's show, I got an email from David Esposito, regular contributor.

Thank you, I was always David for this.

He went to Blood & Guts, I'll just read you his email.

He writes, oh, to Adam and the dadlies, last week's trick, Sue Blood & Guts and AEW Dynamite in Boston was a wicked pisser.

I wanted to pass along a couple of production related notes from the show, because I know I think that a lot of

Sidj's criticisms of the production are warranted.

As someone who tuned out of Weekly WWE shows due to the hairdryer crowd noise sound effect and the constant camera cuts,

I hope the dadlies realise that the production elements are not a pedantic thing to harp on at all,

because they definitely affect the show.

He's got a series of notes, so here goes.

Number one, the audio issues are as bad in the arena as they are on television.

It was difficult to hear anything pre-taped or any of the interviews being conducted last age.

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