Oh, what's good, everybody? Welcome in to the fastest show in all of pro wrestling.

Let me get my Twitter here. There we go. This is the two count. We are now moving into our third month. It's hard to believe. But indeed, we've been here for over two months. You guys have absolutely made this show an absolute killing.

So if you're brand new, because the numbers are going up every single week, we tackle the 10 biggest topics, according to us, in two and a half minutes,

then we do one big one at the end of the show. If you want to be a part of the show, you have a

question, a comment, you can do that through a super sticker, super chat, and we'll get to all

of those at the end of the show. But my partner, oh, he is polarizing. He is one of the biggest voices in all of pro wrestling. And I love chopping it up every single Tuesday with my guy. J.D. from New York. How was your weekend, sir? Coach, it was wet. It was very rainy, very wet. And it was only 60 degrees in New York, man. So let's heat things up on this Tuesday morning. Let's do it right now because we're going to start in New York City. We're going to start with AEW. We're going to start with double or nothing. And I tell you what, there was a lot of different reactions to it. And that's where we're going to start. So producer man,

show me the clock because double or nothing start the clock, JD. The floor is yours.

Double or nothing. And I hope Mr. Tony Khan is watching this morning. Double or nothing was probably

the best AEW pay-per-view of the entire year. Okay. Double-or-nothing was probably top five AEW pay-per-views of all time, and I've paid for every single one, watched every single one, reviewed every single one in all seven and a half years. And it was by far the best pro wrestling show of the entire year between both AEW and WWE. Now, when you're in the sick-o fan base, you're not allowed to say that. Coach, I'm not sure if you dwell on social media amongst these people, but we're not allowed to say it because we're fed guys. Of course. That's, you know, that couldn't be any farther than the truth, from the truth. We have Sunday night, so much to like about Sunday night. A, the camera work I thought was the best

AEW's ever done. I don't know if they've updated their cameras. They looked very sharp and

very crisp. The stage setup was incredible because they really kind of brought to life New York

City with the scaffolding on the stage and just really made it feel just very New York.

The crowd was incredible. I got a feel from the

Takeshita and Okada match. It really felt like that Brian Kenny Omega match when the first

time they visited Arthur Estabium at Grand Slam. That was incredible. I like the fact that

there was no blood. No blood absolutely enhanced the show. And I know that was part due to

the New York State Athletic

Commission, but I hope. I hope Tony Khan realizes that he doesn't need so much color on a show

because it just makes it feel that much more important when he uses it next time when there's

less of it. And the wrestling coach, I thought the wrestling was tremendous. Maybe that first

hour between the tag team match for the tag team titles and Okada and Takesha, probably the best one-two combination I've seen on AW pay-per-view. And MJF won the World Championship back. They fucking killed it. I was sitting at a, my daughter's big, she was in a big Southern California theater banquet. So I was getting texts from friends and texts from people. And everything was what you just said.

And I think and I feel, and you do a lot more AEW content than I do. But since we interviewed Tony

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