I'm Adamannis.

You're listening to the You'll hear podcast.

Daily Jazz advice coming at you.

That's right.

What are we got coming at us today, Pete?

We're going to talk transcribing, right?

Because we had some questions.

Yeah, we got a question from one of our listeners, Richard, who asks, hey guys, always look forward to your podcast, the highlight of my day.

I didn't have to say that, but I wanted to.

Can you do an episode on transcribing? Wait, did he actually say that, or was that you adding that in? No, he actually said that, he actually said that, but I didn't have to repeat that part, but I did anyway. I feel it's an essential part of being a musician, as I know you do. He says, thanks and change the world, one blue note at a time. Hey now. Yeah.

So transcribing.

Have you ever done any transcripts?

I've done a little bit.

Yeah.

I mean, we are, we hate to, well, I feel like we're preaching to the choir, but I think a little reinforcement on this is always good because it's a grind to transcribe. I mean, I think it's very rewarding in a number of ways.

We know that, but there's no way, I mean, it doesn't matter how much you've done of it,

how well you know the artist that you're transcribing, how good your ears are,

how good your transcribing skills are, you're gonna hit a grind,

it's gonna be frustrating at some point.

So you have to find, you know, I think before we even get

into talking about some sort of tactics and hacks,

maybe if there are any, I think the upper level thing

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