Thank you for listening out there in podcast universe. Please put your hands together for the crew master, the mayor of Harmatown, Mr. Dan Harmatown.

Yo, yo, yo, yo, yo, yo, freestyle, freestyle, rap and wild, rap and wild, freestyle, not rhyman, rap and wild, rap and wild, yo, freestyle, freestyle, freestyle, freestyle.

Yo, I saw your mama. I saw her the other day. I saw your mama. I supported the gaze. I saw your mama. I told her that. She said, fuck them. What you think about that? Your mama's not an advocate. She doesn't think they should vote or get married. I said, bitch, it's politically hairy. You're in California. You gotta be open-minded. And here's what your mama said. She said, you know what?

I didn't find that to be the case. She started rattling off. All kinds of right-wing bullshit at me. So I fucked your mama. Dan Harmat, everybody. That was a little bit of a... I felt like that was a little bit of a... I don't know, what do you call that? I felt like it was a little bit of a...

Is this experimental? That is kind of its populist smoke. I think I was spewing there. Yeah. I knew my crowd. I knew where they land. I mean, yeah. I think what we're doing right now is, you know, we have a giant tour coming up. It's looming. And I know, are we recording? I hope you can hear the sound of the crickets that are in this building. Actually, literal crickets. If you ever want to really just lay a stinker of a joke out there, the crickets will be there to add high relief. I'm kind of excited and I don't mean this sarcastically. I really am excited about how all ready. I think we just

kind of started an earnest to sort of think of this as a movie that we're going to be shooting about the tour that we're going on. And the big question is, like, how do you shoot a movie about a tour that you're going on? How do you shoot a movie about anything if there's no script and only things you bring cameras? And you hope not to affect anything. But it's like, like, already our awesome director, Neil, who does not want to be spoken about on camera. So... He's right over there, everybody.

He's like Bob Vila already, but with a camera like, he came out, I was like, rip that curtain down, but that curtain is the thing that...

And it's like, stand by the light, get over there. It's good. I'm more comfortable knowing that I'm in the hands of someone who's not...

If I say something particularly profound by the refrigerator.

Which is almost... I don't want to find out later that if I had stepped three inches back, I would have looked awesome and sounded awesome.

So he's like, move, and it's like, it's definitely going to affect everything, which is kind of an interesting thing.

Because if it wasn't, it would be weird. And it wasn't affecting everything.

That curtain was starting to show. That curtain's there to block light from the comic book store, from spilling into here.

It's also to block your vision of me, because we go by the bridal rules of what constitutes...

If you see me before the show, the mystique is blown.

Most of you are responding for most of these nights, too. Like, what was that what he looks like?

He's so beautiful. He's hard as a rock. It's just special day.

Apparently, that curtain was also there to keep crickets out of the building.

Yeah, I'm a little embarrassed about the crickets.

We have to get a microphone on those crickets, so we can just add cricket sound.

So you have a lot of art imitating life, imitating art, imitating things.

It's going to be very exciting to just get in a bus and go for 20 days and 20 nights.

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