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Happy Sad Confused

Aaron Tveit

Happy Sad Confused

Josh Horowitz

Tv & Film

4.51.5K Ratings

🗓️ 10 March 2020

⏱️ 54 minutes

🧾️ Download transcript

Summary

Eight times a week Aaron Tveit is singing his heart out in Broadway's spectacular new interpretation of Baz Luhrmann's "Moulin Rouge". And while it's the hardest job of his career, Tveit knows how special an opportunity it is. Aaron joins Josh this week in his first solo podcast appearance(!) to talk about his path through musical theater, his memorable big screen performance in "Les Miserables", and why he hasn't done a big screen musical since. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Prepare your ears humans, happy, sad, confused begins now. Today on Happy 2nd

0:15.0

Happy 2ndfused Aaron Tovet, bringing the house down night after night in

0:20.4

Mouon Rouge. Hey guys, I'm Josh Harrowitz.

0:24.0

Welcome to another edition of Happy Sad Confused.

0:27.0

Yes, on today's show, you're going to hear the beautiful voice,

0:31.0

the sweet intonations of a Broadway professional, a Broadway

0:36.2

superstar really. If you follow musical theater, you know the name Aaron Tevate.

0:41.5

If you follow, you know, if you watch TV or film,

0:44.1

you probably also know Aaron Toe Vate

0:45.8

from shows like Gossip Girl to Lay Misarab on the big screen.

0:51.2

He's had quite the eclectic career, but it's really on the stage where he has

0:55.2

shined the most and he's achieved so much going back to his days on next to normal and

1:01.4

catch me if you can and now on Broadway as Christian in this

1:06.2

new interpretation of Bazlerman's Moulin Rouge.

1:10.0

This is an epic production guys.

1:12.4

I've seen this one a bunch.

1:14.6

I somehow have locked into seeing it three different times.

1:17.8

And it's, as I say in the conversation with Aaron,

1:21.8

you get your money's worth at Muon Rouge.

1:24.0

It is certainly reflective of Vaz Orman's iconic classic film and includes a lot of the stuff that

1:30.7

you will remember from that production, but it really gives it its own

1:35.4

twist. There are a ton, a ton of new songs, of modern songs, of songs that have come in the last

...

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