meta_pixel
Tapesearch Logo
Log in
The New Yorker Radio Hour

A Visit with Harry Belafonte, and an Isolated Tribe Emerges

The New Yorker Radio Hour

WNYC Studios and The New Yorker

News, Wnyc, David, Arts, Yorker, Society & Culture, Storytelling, Books, New, Remnick, Politics

4.26.2K Ratings

🗓️ 1 September 2017

⏱️ 31 minutes

🧾️ Download transcript

Summary

We take for granted that popular entertainers can and should advocate for causes they believe in. But until Harry Belafonte pioneered that kind of activism in the middle of the last century, stars largely kept their political leanings private. In the lead-up to last year’s Many Rivers to Cross festival, which Belafonte helped dream up, the New Yorker staff writer Jelani Cobb paid a visit to the actor, musician, and civil-rights icon. Belafonte turned ninety this year and is looking to pass the torch, but he’s worried about the state of the civil-rights movement and what he sees as a lack of organized response: we have a struggle, he says, but not a movement. Cobb, who covers many civil-rights and other political issues for the magazine, teases out what Belafonte means.   Plus, the Mashco Piro tribe is one of the last remaining groups to survive only by hunting and gathering with tools that its members make themselves. Residing deep in the Amazon rain forest, they are extremely isolated and, for nearly a century, have rarely been seen by outsiders. Recently, however, there have been encounters with the outside world—and members of the Mashco Piro have killed two people. In this segment, the New Yorker staff writer Jon Lee Anderson journeys up the Madre de Dios River to a remote contact point where government anthropologists are trying to establish relations with the Mashco Piro. They are charged with protecting the tribe from potentially fatal contact with drug traffickers, loggers, and epidemic diseases, and with preventing further violence.   This episode originally aired on September 30, 2016

Transcript

Click on a timestamp to play from that location

0:00.0

From 38.

0:04.0

I'm excited to be having a conversation with someone when they have that revelation.

0:11.0

It's making the sure.

0:14.0

That maybe looking at this case, it could be an interesting process.

0:18.0

Okay.

0:19.0

From One World Trade Center in Manhattan, this is the New Yorker Radio Hour, a co-production

0:24.6

of WNYC Studios and The New Yorker.

0:30.4

Welcome to the New Yorker Radio Hour. I'm David Remnick.

0:33.8

Today we take it for granted that entertainers can speak out and advocate for all kinds of causes, political and otherwise.

0:40.8

That certainly wasn't always the case, though, and one of the pioneers there was Harry Belafonte.

0:46.9

Belafonte, with that honeyed voice, had a long string of hits, the banana boat song.

0:53.0

Jump in the line.

0:54.8

Jamaica Farewell, as well as song. Jump in the line. Jamaica Farewell,

0:56.3

as well as a career as a leading man in the movies.

0:59.8

Down the way where the nights are gay

1:02.5

and the sun shines daily on the mountain top.

1:06.7

I took a trip on a sailing ship

1:09.2

and when I reached Jamaica, I made a stop, but I'm sad to say,

1:14.6

I'm on my way.

1:16.6

Won't be back for many a day.

1:19.6

My heart is down, my head is turning around.

1:22.6

I had to leave a little girl in Kingston town.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from WNYC Studios and The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of WNYC Studios and The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.