A Very Dumb Domino Effect
Back to the Barre
Christi Lukasiak & Kelly Hyland
4.8 • 4K Ratings
🗓️ 9 February 2026
⏱️ 137 minutes
🧾️ Download transcript
Summary
We're headed on the road in 2026! Buy tickets here:
https://www.x1entertainment.com/bttb
"Let's get into the episode so we can bitch a lot! Yay, everyone wants to hear us bitch!" It's true, we can't get enough of it! And on Season 5's "The Great Divide" it turns out the other moms couldn't get enough of it either. With the ALDC back in Pittsburgh it doesn't take long for things to get heated as the fallout from the pretty disastrous trip to LA begin to pick apart what little group dynamic there was.
Jill is worried about how she's being perceived for siding with Abby during the MattyB shoot. While she did initially support Holly, Jill knows if she crosses Abby it'll only lead to Kendall getting retaliated against and sees her pivot to Team Abby as a natural choice. Of course that doesn't sit right with Holly, who feels not only betrayed but believes Jill and Melissa's kowtowing to Abby sets a bad example for the girls and dooms only Nia to failure when there would have been strength in numbers. But Holly decides it's time she rethink how she views her friendships with the moms, in order to at the very least avoid future heartbreak. This in turn only makes Jill more frustrated with the situation.
Abby is more concerned with the upcoming competition in New Jersey, which starts their teen division at age 12. This would mean the ALDC would have to compete against older dancers, and Abby doesn't think her girls stand a chance. In fact she makes clear that once one of her dancers enters the teen division, she no longer sees them as her student. Despite being an embarrassing admission of guilt in regards to her skillset ,the only person who'll suffer for it is Kalani who now has to sit out the group dance in order for the team to compete in the Junior category. Her consolation prize however is a solo with actually interesting and fresh choreography. Unfortunately Abby doesn't so easily forget when she feels wronged, and Nia in turn is presented with a very stale solo routine and isn't even given the dignity of having Abby pay attention to her rehearsal.
Quotes
- “...or a priest because it was obviously another immaculate reception. Wait what is it? Conception, not reception! I'm from Pittsburgh, the Immaculate Reception is what we care about more." (02:15-02:24 | Christi)
- “I can do anything I put my mind to Christi! I know, you don't give up Kelly. If there's one thing I know it's that you perceiver, especially in the name of alcohol." (04:24-04:33 | Christi & Kelly)
- “Kira attempts to show some appreciation of Holly's actions and gives her kudos for doing it. Huh, as long as Holly's got kudos she doesn't need anyone backing her up!" (1:22:47-1:22:57 | Christi)
- “Kira and Jill both told me at the reunion that they never watched the show before they were on it. Oh, ok and I'm a natural blonde. Get outta here!" (1:34:38-1:34:49 | Christi & Kelly)
Links
Subscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w
Subscribe to our Patreon: www.patreon.com/backtothebarre
Thank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=
Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510
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Transcript
Click on a timestamp to play from that location
| 0:00.0 | Baby, let's just dance, dance, let's just dance. |
| 0:03.0 | Baby, I just wanna dance, dance, dance, dance, dance. |
| 0:07.0 | Can you feel it? Can you take it? |
| 0:10.0 | Can you come and freeze it? |
| 0:12.0 | All of this electricity. |
| 0:14.0 | Do it right now, bye, right now. |
| 0:17.0 | Turn the volume of, my, life. |
| 0:19.0 | Give me your electricity. Hello, Littal little bitchettes. Welcome back to the bar. It's bitch number one, Christy. And bitch number two, Kelly. Um, you didn't say hello. Guess everybody likes when you say hello. Who does? Everybody. Why don't I? Did I say hello? No, you usually go, hello. Hello. Sorry, I don't feel good today. I know, you don't feel good. My throat hurts. Yeah, and I said, you have like big things coming up. You need to not be sick. I know. It's terrible. Oh, Nellie sees a bird outside. Okay, go. Go kill the |
| 0:57.1 | bird through the window. Except don't bring the bird in my house. Thank you. Yuck. Our recording schedule |
| 1:03.4 | for like the next couple of weeks is kind of weird for us because we usually actually do it |
| 1:09.4 | pretty close to like real time. It's not because we think |
| 1:13.4 | it gives you different types of content. It's because we really can't get our shit together |
| 1:17.6 | to do it any better than that. However, we had to really be mindful because Kelly's a mother |
| 1:24.5 | of the bride. And now we're recording all these episodes like back to back. |
| 1:29.1 | And I hope I have enough to talk about what I ate and watched on the after shows. Oh, my goodness. Mm-hmm. I don't have to make it up. Well, we'll talk about something else. Yeah, we will. We have to. Well, you know, what was funny, not funny, ha ha funny, but comparatively speaking, you said your throat hurts. |
| 1:46.8 | I took Clara to get her eye exam this morning. |
| 1:50.0 | And I was texting you. |
| 1:51.2 | I was so nauseous sitting in that office. |
| 1:54.6 | I was like, I have to rip my clothes off. |
| 1:56.7 | Like, I was sweating. |
| 1:57.7 | Or I was like, I really think I'm going to throw up. |
| 2:00.8 | I always feel like that in the morning. I would swear I was pregnant if I was like, I really think I'm going to throw up. I always feel like that in the |
... |
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