A Trans Woman Finds Her True Face Through Surgery
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 17 April 2018
⏱️ 25 minutes
🔗️ Recording | iTunes | RSS
🧾️ Download transcript
Summary
Transcript
Click on a timestamp to play from that location
| 0:00.0 | This is World Trade and |
| 0:03.0 | The One World Observatory |
| 0:06.0 | Is the straight of the block for West Boulevard and make that right? |
| 0:09.0 | They didn't break that, but they have pretty good access to those people. |
| 0:14.0 | They're actually, they're just... |
| 0:15.0 | So that's... |
| 0:17.0 | So that's happening. |
| 0:20.0 | It seems like an incredible story here on many fronts. |
| 0:24.0 | From One World Trade Center in Manhattan, this is the New Yorker Radio Hour, a co-production |
| 0:28.9 | of WNIC Studios and The New Yorker. |
| 0:32.6 | Welcome to The New Yorker Radio Hour. |
| 0:34.3 | I'm David Remnick. |
| 0:38.1 | I'm happy to say I had never been in a surgical theater before. |
| 0:43.4 | I've never undergone surgery myself, and I've never witnessed a surgery as a journalist |
| 0:47.9 | before, and I'm quite squeamish. |
| 0:51.5 | That's Rebecca Mead, who's been a staff rider with the New Yorker for more than 20 |
| 0:54.8 | years. In December, Rebecca sat in on a surgery, and it was seven hours long. What she observed |
| 1:02.2 | was miraculous, but some of it's a little difficult to hear about, so heads up or stomach down. |
| 1:09.4 | It's a little after 7.30 in the morning, and we're in the operating room. |
| 1:14.3 | There is an iPhone plugged in, and throughout the operation, this will be playing music, |
| 1:20.1 | mostly Britpop from the 1960s. |
| 1:25.4 | Abby is in a violet-colored surgical gown, and she's lying on the operating table. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from WNYC Studios and The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of WNYC Studios and The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

