A Talent For Conviction
The Reith Lectures
BBC
4.2 • 770 Ratings
🗓️ 15 December 1982
⏱️ 29 minutes
🧾️ Download transcript
Summary
Irish literary critic Denis Donoghue gives the sixth Reith lecture in his series entitled 'The Mystery of Art'. The current Henry James Professor of English and American Letters at New York University explores societies' need to over analyse art.
In this lecture entitled 'A Talent for Conviction', Denis Donoghue debates how society can increase subjectivity into art without destroying its mystery. He blames critics and their desire to explain every structure of society for devastating the ambiguity of art and asks for the arts to be kept in the margins of society. He claims that it is only in these margins that people can reflect on the art and their own desires.
Transcript
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| 0:00.0 | This is a podcast from the archives of the BBC Reith Lectures. |
| 0:04.2 | This lecture in the series The Arts Without Mystery, given by Dennis Donahoo, was originally broadcast in 1982. |
| 0:11.7 | The accusations that some modern critics have been making against society amount to this. |
| 0:17.5 | That it is a liar. |
| 0:19.1 | It goes out of its way to prevent us from knowing the truth. |
| 0:22.5 | But I would bring a different charge, that society is guilty of presumption, |
| 0:27.5 | it presumes to know what reality is, and that it can be fully represented in plain sense and ordinary language, |
| 0:34.8 | without admitting mystery. It assumes that metaphor is only a self- bewildering |
| 0:40.3 | perversion of a literal truth, and that symbolism is an illicit attempt to endow ordinary things |
| 0:47.4 | with a radiance, which then testifies to their meaning and their value. When I talk about society, I mean such a society as our own, |
| 0:57.4 | which claims to be free, liberal and pluralist. |
| 1:01.2 | The claim is, on the whole, justified, |
| 1:03.8 | especially if comparisons are made with societies |
| 1:06.4 | which don't even bother to present themselves as free. |
| 1:10.4 | But the ideology which makes our society what it is and keeps it in that state |
| 1:14.9 | has prescribed certain forms of life by representing them as norms. |
| 1:20.3 | It claims to know the point at which culture may be distinguished from barbarism, |
| 1:25.0 | and it enforces ways of speaking which make the point of distinction clear. |
| 1:30.3 | Deviation is permitted only if it's trivial, inept or otherwise innocuous. |
| 1:35.8 | The one risk our society isn't prepared to take is the risk of confessing that it doesn't know what |
| 1:40.8 | reality is, or what distinguishes fact from illusion. It isn't willing to |
| 1:46.2 | admit that, as the poet Wallace Stephen said, the squirming facts exceed the squamous mind. |
... |
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