And the Oh, Hey everybody. Welcome to another Commission podcast

fancy line of Bald Move Commission podcast we've been doing lately.

Fancy now?

They're fancy they're they're certainly closer together.

We've been releasing a couple of these a week and we've got one this

time that surprised me. It's called a profit. It's a French film. I don't know how to say it in

French. Oh, Profite.

Yeah, he essentially put a mark over one of the ees and change in a to own.

Yeah.

But it's commissioned by Frank C. Frank.

Can't tell me. Can't tell me. Can't tell me to watch this movie except for he did. He did. He let his money do the talking. He commissioned this. It's a 2009 film. It was actually nominated for the best foreign language film at the Oscars in 2009.

Didn't win. Didn't win, lost to some Argentinian film.

That's also like a crime thriller outrage.

So like I guess you know the foreign the foreign films category was just full of crime thrillers right that year.

But kind of a shame that it didn't win because I was really impressed by this movie. Yeah, so I mean there anytime there's when stuff hits or cue, I have two reactions.

One, or maybe it's three.

One is, oh, I love this movie and I can't wait to talk about it.

Two, oh, this movie's got a great rep, I've heard so much about it, I want to see it. Two, oh, this movie's got a great rep.

I've heard so much about it.

I want to see it.

I can't wait to talk about it.

Three, what the fuck is this movie?

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