A poetic history of England
HistoryExtra podcast
HistoryExtra
4.3 • 4.7K Ratings
🗓️ 6 March 2026
⏱️ 37 minutes
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| 0:00.0 | How do you tell the story of 1,300 years of English history? Through verse, according to cultural |
| 0:12.6 | historian Catherine Clark. In this episode of the History Extra podcast, she takes Lauren Good on a |
| 0:19.4 | poetic journey through time, from the Black Death to |
| 0:22.6 | literal bumfodder. Along the way, they explore why we've got W.H. Auden's funeral blues all wrong, |
| 0:29.2 | how Elizabeth Barrett Browning use poetry as a platform for social change, and how such works |
| 0:34.9 | offer uniquely human insights into key moments in history. |
| 0:39.3 | Hi, Catherine. Thank you so much for joining me today. |
| 0:42.6 | Hi, good to be here. |
| 0:43.7 | Your book, A History of England in 25 poems, does what it says on the tin. |
| 0:49.1 | It covers the history of England from the 8th century to the present day in 25 poems. Now, Catherine, that's quite an |
| 0:56.3 | undertaking. When did you think, you know what, I'm going to summarise England's history in this |
| 1:01.3 | way? I think poems have a real magic for taking us like time machines inside moments in the past, |
| 1:07.0 | because, and these are poems written between the 8th century and the present day, so they cover |
| 1:10.6 | 1,300 years of England's history. And that magic of poetry is that it takes us into the events |
| 1:16.8 | of history, you know, the landmark events, the milestones. So in the book, there's the Battle of |
| 1:21.4 | Agincourt, World Wars, the Great Fire of London. But crucially, poems also take us inside the feelings, the imaginations, |
| 1:30.3 | the experiences of people living and breathing through history. So that, I think, is the magic |
| 1:35.9 | telling sometimes familiar stories of England's history, sometimes uncovering really |
| 1:40.7 | surprising new stories, but taking us right inside. And the other thing I think is |
| 1:45.5 | that poetry can allow us to connect with familiar voices and perspectives, but also some much less |
| 1:53.9 | well-known voices and perspectives. And sometimes those stories that have been marginalised or |
| 1:59.2 | silenced in the archive. I love this idea of poetry acting as |
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