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Selected Shorts

A Night at the Theater

Selected Shorts

Symphony Space

Arts, Fiction, Books, Society & Culture

4.42.7K Ratings

🗓️ 1 December 2022

⏱️ 62 minutes

🧾️ Download transcript

Summary

Meg Wolitzer presents a show about the theater, and those who love it. Rachel Klein’s “Audience Instructions for Our Immersive/Experimental Theatre Production In An Abandoned Middle School In Bushwick,” read by Santino Fontana, sends up the avant-garde. In “Our Mutual (Theater) Friend,” by Amber Sparks, A retired diva just can’t fit into ordinary life—and then, she’s given an extraordinary gift. Krystina Alabado reads. Ann Petry’s “Solo on the Drums,” read by Peter Francis James, captures a passionate performance. And Anton Chekhov offers up a theatrical power couple and their puzzling marriage in “He and She,” read by present-day theatrical power couple Hugh Dancy and Claire Danes.

Transcript

Click on a timestamp to play from that location

0:00.0

This week on Selected Shorts, Hugh Dancy and Claire Daines trade barbs.

0:12.4

He's lazy.

0:15.2

I've never seen him do anything.

0:21.0

She's rich, but doesn't help the poor.

0:25.2

In fact, she often short changes, milleners and hairdresses.

0:28.4

She has no heart.

0:30.2

A story by Anton Chekhov transforms a real-life husband and wife

0:34.3

into a couple at war.

0:36.6

This week features stories about the stage,

0:39.0

and though you can't see it from where you sit,

0:41.2

the lights have just grown dim, people are hurrying to their seats,

0:44.6

and the curtain is about to come up.

0:51.7

I'm your host, Meg Wallitzer, and you're

0:53.6

listening to Selected Shorts, where our greatest actors

0:56.9

transport us through the magic of fiction, one short story at a time.

1:01.9

As our listeners know, we record nearly all of our stories

1:05.1

on the show in front of live audiences.

1:08.0

Performing in front of an audience is the most

1:10.1

elemental form of storytelling.

1:13.0

While most people know me as a writer,

1:14.9

I'm often drawn to the stage as well.

1:17.5

I think partly it's because being in the audience

...

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