4.6 • 2K Ratings
🗓️ 5 March 2020
⏱️ 56 minutes
🧾️ Download transcript
Today’s guest, Shari Belafonte knows cameras from both sides and she brings an understanding to the medium that is as palpable as her sense of humor. It was a pleasure to welcome her to the B&H Photography Podcast. Of course, we knew of Shari as the face from so many magazine covers in the 1980s and ’90s—no kidding, every other face at the check-out line melted away when you saw that smile. Of course, she has the same last name as a 20th-century legend (who just turned 93 this week, by the way), but did not use it at the beginning of her professional life. However, as her modeling career grew, so came television and movie roles, and she is currently a regular on the hit show, The Morning Show. Multi-talented? Yes, and we didn’t even talk about her singing voice, but what we didn’t know was that she went to school to work behind the camera and never really put it down, including stills and motion work over the years.
First to admit her modelling career came as a bit of a surprise, Belafonte did have her first professional shoot with none other than Richard Avedon, and that Calvin Klein campaign included a memorable early video component. In that period, she graced the cover of more than 300 magazines, including VOGUE, Jet, and Glamour. We speak with her about learning the modeling craft as she continued to learn the crafts of camera and lighting, working with the likes of Avedon and Francesco Scavullo.
We also flash back a bit and talk about growing up the daughter of singer, actor, and civil-rights activist Harry Belafonte, discussing his Leica cameras, the role of photography in their household, dealing with the press and paparazzi, and a few of the famous shots of her father with his friend Dr. Martin Luther King, Jr. Shari had her first camera at age four and generally spent high school and college in the darkroom before modeling and acting took over. Later, a well-timed gift of the then-new Canon EOS camera reignited her passion for making images and she continued, exhibiting several series of work over the years, shooting stills and BTS on films, even learning Steadi-Cam and “dp’ing” on music videos and shorts. We talk technique, interaction with talent, post-production, and about the power and beauty of creating a “moment in time.” Join us.
Guest: Shari Belafonte
Photograph © Shari Belafonte
Click on a timestamp to play from that location
| 0:00.0 | You're listening to the B&H Photography Podcast. |
| 0:04.0 | For over 40 years, B&H has been the professional source for photography, video, audio, and |
| 0:08.8 | more. |
| 0:09.8 | For your favorite gear, news, and reviews, visit us at bnh.com or download the B&H app to |
| 0:15.4 | your iPhone or Android device. |
| 0:17.6 | Now here's your host, Alan White. |
| 0:19.6 | Greetings and welcome to the B&H Photography Podcast. |
| 0:23.0 | Today we are lucky to welcome to our studio actress, model, singer, and photographer, |
| 0:28.4 | Marie Bella Fonte. |
| 0:29.4 | And not necessarily in that order. |
| 0:32.4 | Midpoint, thank you. |
| 0:33.8 | We're going to get into all of that stuff. |
| 0:36.4 | Sherry is currently starring in the new TV show, The Morning Show, and to any fan of fashion |
| 0:41.2 | photography, she's well-known, well-recognized. |
| 0:44.3 | Her face has been on the cover of Vogue, Madame Iselle, Jet Glammer, and God knows how many |
| 0:49.7 | other magazines and more times than we can count. |
| 0:52.6 | It's like you could hurt your self carrying your portfolio. |
| 0:57.8 | With your knees. |
| 0:58.8 | With your knees. |
| 1:01.4 | And not too many people could say that they're very first Vogue, Vogue. |
| 1:06.0 | And obviously you can't say it. |
| 1:10.0 | And not many people can say that their first Vogue cover shot was taken by none other than |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Jill Waterman, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Jill Waterman and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.