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Hey, what's going on, guys? It's your good buddy, Joe O'Brien, and I want to thank you for

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That's join the n-a-I-S-H dot com. The best part of Thursday nights is soft queer soundsish.

Well, you stole that one.

My heart's beating so fast.

We're going to get another copyright hit.

Bring it.

Yeah, the first 30 minutes of the VOD will be blacked out because, like, was that the original 1984 jingle for Maxwell House or Folgers, whatever the hell? Holders. Yeah, no, no, no. All we have to do is re-mentioned the incest ad that they did. It gave them so much bad press. That's true. And then we're in the clear. Did you guys be the oral, did we talk about this? The oral history of that. Yeah. One of our shows we talked about. Mountain grown fresh for you and decaffeinated two. They don't make jingles like that anymore. Whatever happened to a good jingle? The good jingle days are behind us. When I started in VO, people were like, how do I get into that jingle biz? Like, I'd get these emails. And I'd be like, it's impossible, man. Like, to crack that, it's a secret club of jingle writers. Got to make that hot jingle money. Make that Bert Baccarat. Burt Baccarat cash. Wasn't that, isn't jingle writer the profession of John Stamos and on Full House? Yeah. I think so. I think you're right. Yeah. Isn't it also Jason Bateman's career in Juneau? Isn't he like, doesn't he write? Yeah. Yeah. He has like keyboard. Yeah.

Yeah.

And he like shows,

that's how he like connects with her.

...