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The Ezra Klein Show

A Legendary World-Builder on Multiverses, Revolution and the ‘Souls’ of Cities

The Ezra Klein Show

New York Times Opinion

Society & Culture, Government, News

4.611K Ratings

🗓️ 18 October 2022

⏱️ 64 minutes

🧾️ Download transcript

Summary

N.K. Jemisin is a fantasy and science-fiction writer who won three consecutive Hugo Awards — considered the highest honor in science-fiction writing — for her “Broken Earth” trilogy; she has since won two more Hugos, as well as other awards. But in imagining wild fictional narratives, the beloved sci-fi and fantasy writer has also cultivated a remarkable view of our all-too-real world. In her fiction, Jemisin crafts worlds that resemble ours but get disrupted by major shocks: ecological disasters, invasions by strange, tentacled creatures and more — all of which operate as thought experiments that can help us think through how human beings could and should respond to similar calamities. Jemisin’s latest series, which includes “The City We Became” and “The World We Make,” takes place in a recognizable version of New York City — the texture of its streets, the distinct character of its five boroughs — that’s also gripped by strange, magical forces. The series, in addition to being a rollicking read, is essentially a meditation on cities: how they come into being, how their very souls get threatened by forces like systemic racism and astronomical inequality and how their energies and cultures have the power to rescue and save those souls. I invited Jemisin on the show to help me take stock of the political and cultural ferment behind these distressing conditions — and also to remember the magical qualities of cities, systems and human nature. We discuss why multiverse fictions like “Everything Everywhere All at Once” are so popular now, how the culture and politics of New York and San Francisco have homogenized drastically in recent decades, Jemisin’s views on why a coalition of Black and Latinx voters elected a former cop as New York’s mayor, how gentrification causes change that we may not at first recognize, where to draw the line between imposing order and celebrating the disorder of cities, how Donald Trump kept stealing Jemisin’s ideas but is at the root a “badly written character,” whether we should hold people accountable for their choices or acknowledge the way the status quo shapes our decision-making, what excites Jemisin about recent discoveries about outer space, why she thinks we are all “made of exploding stars” and more. Mentioned: N.K. Jemisin interview on Vox’s "The Gray Area with Sean Illing" Book recommendations: Fullmetal Alchemist by Hiromu Arakawa Mechanique by Genevieve Valentine Witch King by Martha Wells The Death and Life of Great American Cities by Jane Jacobs Thoughts? Guest suggestions? Email us at [email protected]. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. “The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma. Our researcher is Emefa Agawu. Fact-checking by Michelle Harris and Mary Marge Locker. Original music by Isaac Jones. Mixing by Jeff Geld and Sonia Herrero. Audience strategy by Shannon Busta. Special thanks to Kristin Lin, Kristina Samulewski and Jesse Bordwin.

Transcript

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0:00.0

I'm Mr. Klein. This is the Ezra Conchjo.

0:22.7

Norkee Jamison is one of the most highly decorated writers in fantasy and science fiction today.

0:28.4

Her Broken Earth Trilogy won three consecutive Hugo Awards, pretty much the highest honor

0:33.2

in science fiction writing. First time anybody had ever done that. She has since won two

0:37.4

more Hugo Awards, including for a recent Green Lantern series, Far Sector. It's got to

0:42.4

be a heavy shelf in her house. I'm a huge fan of these books. I love the Broken Earth

0:48.6

Trilogy. I love the Inheritance Trilogy, which is earlier and I recommend if people have

0:52.9

not read it. What sets Jamison's work apart is her ability to use these fantastical worlds

0:59.6

to explore really deep urgent themes, how the systems in our world operate, how people

1:05.9

work with and against each other when their world is under threat, how oppression replicates

1:10.3

itself throughout history. And behind that is Jamison's skill at world building. In a

1:15.6

past conversation I did with her, we talked about that really explicitly. You can search

1:19.3

for that if you're interested. But there is a way in which she creates for herself these

1:24.2

very, very clean models of how a world works and then she hits them with a shock and

1:30.1

then she sees what happens. Her newest series is a little bit different. It's set in a

1:34.3

much more familiar world, a recognizable, though alien, infested and magical version of New

1:40.4

York City. And this series includes books the city we became and most recently the world

1:45.0

we make. And these books are in dialogue in a much more direct way with the world we're

1:51.1

in now and the politics of the world we're in now. So I invited Jamison on the show to

1:56.8

take stock of the past few turbulent years, not just in her worlds, but in ours. What the

2:01.7

pandemic showed us about the systems we build to organize our society. What is happening

2:06.1

to cities, these books are very much about cities in an age of exorbitant wealth and

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