4.8 • 602 Ratings
🗓️ 19 March 2021
⏱️ 53 minutes
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Steven and Ian kick off this week’s episode of Indiecast with a half-assed recap of last week’s Grammys. It doesn’t last long before the duo dive straight into a discussion of the aesthetic and influence of Kurt Vile in honor of the tenth anniversary of Smoke Ring.
The main topic this week is Chemtrails Over The Country Club, the seventh studio album from Lana Del Rey. It’s the follow-up to Norman F*cking Rockwell, which was one of our favorite albums of 2019, and Lana seems to feel the pressure across her latest. Like her other work, Chemtrails is a cinematic affair ripe with what can only be described as “vibes.”
In this week’s Recommendation Corner, Steven is bumping Ian's previous recommendation of the new self-titled album by Really From. Ian, on the other hand, has been digging into South Korean outfit Parannoul, whose releases are only available on Bandcamp.
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0:00.0 | Indycast is presented by Uprocks' Indie Mix tape. |
0:13.4 | Hello everyone and welcome to Indycast. |
0:15.4 | On this show, we talk about the biggest indie news of the week. |
0:17.8 | We review albums and we hash out trends. |
0:20.1 | In this episode, we're going to be talking about the new album by Lana Del Rey, Kemp Trails of the week. We review albums and we hash out trends. In this episode, we're going to be |
0:21.1 | talking about the new album by Lana Del Rey. Kemp Trails Over the Country Club. My name is Stephen |
0:26.5 | Hayden, and I'm joined by my friend and co-host, Ian Cohen. Ian, how are you? Well, first, I just |
0:32.5 | want to take the opportunity to say to all of the loyal Indiccast listeners, welcome to music's biggest night. |
0:40.4 | The joke never gets old, by the way. |
0:44.0 | It is good. |
0:45.0 | Or is music's biggest morning maybe? |
0:47.1 | Does music have a big morning yet? |
0:48.9 | I'm talking about the loyal Indycast listener who waits for the episode to drop at 9 o'clockclock on the West Coast 12 o'clock on the East Coast. Wow. Yeah, that's true. The real heads, the true heads. Exactly. I mean, because like the Grammys, though, they have the biggest night. I just wonder if we could corner the biggest morning. Friday morning. That's us. That's us. So, yeah, the Grammys, they were like an eternity ago, so we won't spend too much time talking about that. I mean, did you... |
0:54.3 | I... Friday morning, that's us. That's us. So, yeah, the Grammys, they were like an eternity ago, so we won't spend too much time talking about that. I mean, did you, I assume you didn't watch the Grammys at all. No. You know, this year I couldn't even be bothered to, like, make the two tweets I usually do, one of which is that, like, Beck, you know, about Beck winning album the year, whether or not he put out an album and the other like posting ghetto actually he a Beck album won something |
1:12.7 | um you know, about Beck winning album the year, whether or not he put out an album and the other like posting ghetto. Actually, a Beck album won something. I think Sean Everett won best |
1:33.3 | engineering. He's the guy who's like worked for a ton of indie rock bands, but I can't even name |
1:38.7 | the Beck album that he won for. And also, um, is that hyperspace? Yes, that's it that sounds about right and also the big the big event |
1:48.0 | for me this year at the grammies was that um you know back in november i made like some |
1:52.3 | snarky tweet about black pumas about how they you know if they didn't exist the gramees |
1:57.1 | would have to invent them and that got like brought up when chris deville from Stereo Gum wrote about that band. You know, they're obviously like a kind of a grassroots success off the streets of all, like streets of Austin, Texas. And then he quoted that. And then like the day after the Grammys, I get this response. like the Black Pumas do exist, we do exist, |
2:15.6 | and we're definitely more real than anything the Grammys put out. And it was actually one of the, it was actually one of the guys in Black Pumas. So, yeah, I mean, it's, I felt a little guilty, but, you know, when you're, when you're making fun of vans, there are real people behind it, which is why I don't do it as much as I used to. |
2:34.1 | But, yeah, well, you know what black pumas you know all apologies i've i don't |
... |
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