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Criminal

A Glamour and a Mystery

Criminal

Vox Media Podcast Network

True Crime, Society & Culture, Documentary

4.738.4K Ratings

🗓️ 28 July 2023

⏱️ 42 minutes

🧾️ Download transcript

Summary

In the summer of 1917, 16-year-old Elsie Wright took a photograph of her 9-year-old cousin, Frances Griffiths. It was the first photograph she’d ever taken — and it became the source of a mystery that lasted for most of the 20th century. Say hello on Twitter, Facebook and Instagram. Sign up for our occasional newsletter, The Accomplice. Follow the show and review us on Apple Podcasts: iTunes.com/CriminalShow. Sign up for Criminal Plus to get behind-the-scenes bonus episodes of Criminal, ad-free listening of all of our shows, and members-only merch. Learn more and sign up here. Listen back through our archives at youtube.com/criminalpodcast. We also make This is Love and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Support for this show comes from Krakan.

0:03.0

Krypto is like the financial system, but different.

0:07.0

It doesn't care where you come from, what you look like, your credit score,

0:11.0

or your outrageous food delivery habits.

0:13.7

crypto is finance for everyone everywhere all the time.

0:18.4

Krakhan, see what crypto can be.

0:21.3

Don't invest unless you're prepared to lose all the money you invest.

0:25.0

This is a high-risk investment and you should not expect to be protected if something goes wrong. You have all these special materials here to keep things safe.

0:38.0

Yeah.

0:40.0

Yeah, you did a quick risk assessment.

0:44.0

In March, we visited the Brotherton Library at the University of Leeds in England.

0:50.0

They have the very first collected edition of Shakespeare's plays and medieval manuscripts

0:56.0

from the 12th century, but we were there to see something else.

1:01.8

We were told it was going to be very cold and we wouldn't be able to wear our coats inside.

1:07.0

You know, they're so delicate and precious.

1:10.0

The Conservation Officer was setting up the room so we could see some negatives of old photographs.

1:16.4

And I'm just merely putting these down to stop,

1:20.7

to stop this light sheet moving around anywhere because it's a little bit light.

1:25.0

So I don't want anything to suddenly slide away.

1:29.0

I won't get the negatives now.

1:31.0

Thank you.

1:32.0

Oh yeah. about the negatives now. Thank you. Well if you don't want anything ruined put it in a

...

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