A Deep Dive into Speak Now, OG and TV (with Every Single Album's Nora Princiotti) (Patreon Preview)
Pop Pantheon
DJ Louie XIV
4.7 • 630 Ratings
🗓️ 12 July 2023
⏱️ 12 minutes
🧾️ Download transcript
Summary
In a preview of this week's Pop Pantheon: All Access episode, Host of the Ringer's Every Single Album podcast Nora Princiotti is back on the show to talk all things Speak Now!
Taylor Swift released the third in her series of album re-recordings, Speak Now (Taylor's Version), last Friday, so Louie and Nora are deep-diving on the album, its major themes and aesthetics, where it sits in the narrative arc of Taylor's career, its highlights and lowlights and reception at the time of its original release in 2010. They then discuss how accurate the new versions of the songs are compared to previous re-records, the best and worst of the From the Vault bonus tracks and so much more.
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Transcript
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| 0:00.0 | Hey all, DJ Louie here, just dropping a little preview of our latest Pop Pantheon All Access episode. This is, of course, our Patreon channel where we're giving you at least three bonus episodes of the show per month. So how could you miss that? This week, we're diving into Taylor Swift speak now. Not just the re-recording, but we're talking about the whole record, what it was like when it came out at the time, what's happening on it, what are the themes, what are the aesthetics, how did it aid in Taylor's Evolution as an artist? And of course, then at the end, we talk about the re-recording, how successful it's been, what the from the vault tracks are adding to the project and all the rest of it. And lucky for me, every single album podcast, Nora Princiotti, is back on the show to do all of that with me. She was my guest or one of my guests on last week's Taylor Swift, re-recording Omnibus episode. So I'm dropping a preview of that here. If you like what you hear, you can go to Patreon.com slash pop pantheon and sign up at the icon tier to hear the rest of the episode, plus all of our bonus content, access to our Discord channel, and so much more. So here's a little snippet of the Speak Now, Patreon episode. Okay, so I'm here once again with the host of the Every Single Album podcast, Nora, Prince Idi, Nora. Welcome back so soon again to the show. Thank you, Louie. It's wonderful to be welcomed back. |
| 1:11.9 | I'm so excited about this. It's wonderful to welcome you back because I really had so much fun |
| 1:17.8 | on our last episode. It was really a blessed. I felt like I felt like that could have gone on for |
| 1:23.2 | like 17 hours of us just dissecting every single moment on both of those records. |
| 1:29.4 | I really did as well. It's probably for the best that we didn't, but I'm not sure. I'm not sure. |
| 1:35.7 | Something magical might have happened in hour 16, and I do believe that we could have gotten there. |
| 1:40.3 | A revelation that not even the most ardent Swifty has yet picked up on in these albums |
| 1:45.8 | and re-recordings, I would think. But we get to pick the conversation up a little bit here |
| 1:50.3 | because as we alluded to in the setup to our last episode, the third of Taylor Swift's re-recordings |
| 1:57.5 | of her first six albums, which I said wrong numerous times during the episode |
| 2:01.8 | as her first seven albums. So correction issued right here. Dropped last Friday. It's Speak Now. It's |
| 2:08.1 | her third album. It's the album that comes between the other two re-recordings that we've gotten so |
| 2:14.1 | far, 2008's Fearless and 2012's Red. This record came out in 2010. |
| 2:20.3 | And I'm wondering what you think of this theory I was working on today during my run as I was |
| 2:27.5 | listening to the re-record for the six or seventh time since it came out on Friday. And listen, |
| 2:32.2 | never unhappy about revisiting Speak Now. I love Speak Now. It's a |
| 2:37.6 | real favorite Taylor project of mine. But I always kind of find myself like vacillating between thinking |
| 2:43.4 | it's like one of her best collections of songs that she's ever made. And thinking of it as kind of like a transitional album for Taylor in some ways, |
| 2:54.2 | sort of like a halfway point between what she was doing on Fearless, |
| 2:58.9 | sort of the simplistic kind of little girl's perspective, |
| 3:03.0 | country music, adjacent sound, |
| 3:06.2 | and then the sort of like incredibly expansive polyglot genre omnivore |
... |
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