A Cinema, Demolished
Kerning Cultures
Kerning Cultures Network
4.9 • 529 Ratings
🗓️ 30 October 2018
⏱️ 23 minutes
🧾️ Download transcript
Summary
When demolition began on the Plaza Cinema in 2015, something unusual happened; Dubai residents began visiting the site to collect mementos from the building's rubble. The cinema was almost as old as the UAE itself – a place which many people held an emotional connection to. In this episode, a story about a cinema that was much more than just a cinema.
Find out more about the Plaza Cinema here.
Thank you to everybody who spoke to us for this story; Lachman Bhatia, Ausaf Ali Raja, Yasser Elsheshtawy, Butheina Kazim, Hind Mezaina, Ammar Al Attar and Hassan Kamal.
Produced by Alex Atack and Vinita Bharadwaj, with editorial support from Dana Ballout and Hebah Fisher. Sound design by Alex Atack. Kerning Cultures is a Kerning Cultures Network production.
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Transcript
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| 0:00.0 | Today, we have a story about a place that became something of an institution in Dubai. |
| 0:09.0 | The Plaza Cinema |
| 0:10.6 | If you were brought up in Dubai, you may have heard of it, remember driving past it, heard about it from your parents or their friends. |
| 0:20.1 | The Plaza Cinema opened in 1972 and was demolished in 2015. |
| 0:26.6 | It's a business basically as old as the United Arab Emirates itself, |
| 0:31.6 | and we wanted to find out what kind of a story we could tell by just focusing on this one slice of history. |
| 0:38.9 | Because when the cinema shut down, it affected a lot of people. |
| 0:45.8 | As soon as word got out that the plaza cinema was shutting down, it became kind of this |
| 0:49.6 | personal project to go and see it and to really understand its details and so on. |
| 0:53.8 | This is Boutena Katham. She owns the independent cinema in Dubai, cinema Aqueer. I went in and at different stages of its demolition. And at the beginning it was just kind of the seats that were taken out. But a lot of things were in place. Even the projectors, like the 35 millimeter projectors were still there. Whenever I go there, I felt every time I felt that there is something that need to be saved. |
| 1:15.2 | And this is Amirati photographer and archivist Ammar Al-Attar. |
| 1:19.5 | Like either pictures or either like posters. |
| 1:22.7 | Most of the things that were there, I think it was going to the trash. |
| 1:28.0 | I didn't see anybody who was interested to come and save anything. |
| 1:31.9 | At that point, you know, there's probably like asbestos in there and, you know, |
| 1:35.4 | and like rodents and you could hear things like moving around. |
| 1:38.7 | So whenever I go, I wear gloves and I wear sometimes mask. |
| 1:43.5 | There were like, you know, ticket stubs, there were receipts and posters and so on. |
| 1:47.0 | Like it looked like somebody had just left the building, you know? |
| 1:50.0 | So I started slowly like scavenging, collect, collecting, |
| 1:56.0 | whatever I could get my hands on and fit into my Volkswagen golf. |
| 2:00.0 | Honestly, I felt that these things will go to the rubbish or the trash if nobody will take it. |
... |
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