You are listening to The Next Best Picture podcast and these are our interviews with the director and writer for sentimental value, Joachim Trier. Followed by Emma Sassix interview with Renata Reinsva. Followed by Giovanni Lago's interview with Stellans Garsgarn. Followed by Emma Sassack's interview with El Fanning. Followed by my interview with Inga Ibsdaer Lilius. Followed by Emma Sassack's interview with co-writer Eskil Vaught. followed by my interview with Inga Ip's daughter Lilias, followed by Emma Sassick's interview with co-writer Esquil Vaught, followed by my interview with the editor Olivier Bugay Coutte, and then Emma Sassick's interview with the casting director Ingville Colset Haga.

We hope you enjoy this behind-the-scenes look at the nine-time Oscar-nominated film's sentimental value. Why didn't you want to do the role?

He wanted you to do it.

I can't work with him.

We can't really talk.

My father is a very difficult person.

Hello, Joachim Trir. How you doing, man?

I'm good, man. How are you?

I imagine you must be feeling great. Films out there in the world.

People are still loving it since can. Nothing has changed. Awards nominations come in the film's way. Congratulations.

Thank you so much, man. No, you never know with these things you can only hope, and with

this amount of nominations, we're kind of overwhelmed and very pleased, very happy.

I wanted to first ask you, because I remember when I saw you would tell you right, I had

expressed to you like how much I adored worst person in the world. The world loved that movie. I'm curious for you

and Esco, when you guys are getting ready to write sentimental value, I imagine that it must be hard

to kind of block out the success and the noise of that. You know, you try your best, but can you just

tell me a little bit about how the reception to that film You know, you try your best, but can you just tell me a little bit

about how the reception to that film and if there was like any added pressure, like knowing that

you would have more eyeballs on what your follow-up would be? Yeah, I mean, there's kind of two sides to it.

I feel that there's some, in a way, the first film we did 20 years ago called Reprise was bought

by Miramac, Scott Rudin, executive produced. It was actually quite well received around the

world. And I remember the pressure for the next one, Oslo August 31st, was tremendous. And it took

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