A Behind The Scenes Look At "Marty Supreme"
The Next Best Picture Podcast
The Next Best Picture Podcast
4.2 • 542 Ratings
🗓️ 26 December 2025
⏱️ 144 minutes
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| 0:00.0 | You are listening to The Next Best Picture podcast, and this is my interview with the director and writer from Marty Supreme, Josh Safty. |
| 0:07.3 | Followed by Giovanni Lago's interview with the co-writer and co-editor, Ronald Bronstein. |
| 0:13.1 | Followed by Cody Derrick's interview with one of the stars from the film Gwyneth Paltrow. |
| 0:17.1 | Followed by Giovanni's interview with another one of the stars from the film Odessa A Zion. |
| 0:21.7 | Followed by my interview with the film's casting director Jennifer Vendidi. |
| 0:25.8 | Followed by Giovanni Lago's interview with the film's cinematographer, Darius Kanji, |
| 0:30.0 | production designer Jack Fisk, and composer Daniel Lopatin. |
| 0:34.1 | Then we add things with my interview with the film's re-recording mixer and supervising sound editor, Skip Leevce. We hope you enjoy this behind-the-scenes look at Barney-Supreme. |
| 0:43.5 | I have a purpose. Okay. Let me ask you something. Do you make money of this little table |
| 0:49.4 | tennis thing? Not yet. Do you have a job? No. |
| 0:53.8 | And I forced this. I had to do it because you don't understand what my day looks like right now. I was like, I gotta speak to Matt. I kind of forced this too a little bit, so, you know, we're both. I'm so happy to do it, man. They were like, look at your day. And I was like, we'll find something. Yeah, man. honored and pleased that you were able to make time from me and I was like we'll find something yeah man well I'm very honored and |
| 1:11.8 | pleased that you were able to make time for me and I really appreciate we you know we've been |
| 1:16.2 | talking about doing this for almost 10 years now uh so happy to finally have you here and I guess |
| 1:21.8 | I want to start off with that I know it's been six years since release from uncut gems we had a |
| 1:26.2 | pandemic we had strikes. |
| 1:28.1 | We had so much going on. |
| 1:29.5 | But one thing that I really admire is how much the scale of your filmmaking in terms of |
| 1:34.3 | the broad canvas that you're painting on has really increased from Uncut Gems. |
| 1:40.1 | And I want to just like talk a little bit about for you, is there like this organic feeling to want to level up with each film in terms of scope, budget, or does that just simply come naturally based on the story you're telling? |
| 1:53.5 | You know, you always follow the character and the story. You just, that's the, you know, that's your mantra in a way because that's all that matters because you're |
| 2:01.3 | telling a story when i i got when i was inspired by this world and part of the inspiration was |
| 2:09.0 | you know because you can always find a you know a world and figure out a way to make it contemporary |
... |
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