99 – Those Who Walk Away from Genosha
Jay & Miles X-Plain the X-Men
Jay Edidin & Miles Stokes
4.7 • 1.9K Ratings
🗓️ 7 March 2016
⏱️ 60 minutes
🧾️ Download transcript
Summary

In which the podcast gets a new name; Jay starts (another) imaginary band; mutant issues break away from the metaphor; Genosha’s leading industry is cognitive dissonance; invisibility to electronic surveillance is not always a plus; Rogue and Wolverine are the X-Men most likely to find themselves nude in a fight; Carol Danvers is awesome even when disembodied; and we both have a lot of feelings about Mad Max: Fury Road.
X-PLAINED:
- The Havok dilemma
- Our new name
- Uncanny X-Men #235-238
- Genosha
- Jenny Ransome
- The Press Gang
- A really good bit of vintage slang
- The downside of electronic invisibility
- Naked teleportation
- The Genegineer (David Moreau)
- Philip Moreau
- Mutates
- The (sort of) return of (sort of) Carol Danvers
- The portmanteaus of Genosha
- Moral binary in superhero comics
- Possible antecedents of Sterling Archer
- The only good reason to bring Logan back
- N’astirh
- Several versions of Madelyne Pryor
- “Gone to America”
- Off-page baby theft
- How to have fun re-reading
InfernoWatch:
- This week, it’s all about Madelyne Pryor: her first contact with N’astirh and escalating romance with Havok; the first hints of her connection to Mister Sinister; her oblique connection to the Phoenix Force; and her first foray into baby theft!
NEXT EPISODE: Chris Claremont
CORRECTION: In this episode, Miles mentioned Those Who Walk Away From Omelas as having been written by Margaret Atwood. It was, of course, actually written by Ursula K. LeGuin. Miles blames the Jaspers Warp for this mistake.
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Transcript
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| 0:00.0 | Hey, hey Miles, you know it would be an awesome name for an imaginary band? |
| 0:04.5 | What? |
| 0:05.5 | Havik's dissertation. |
| 0:06.5 | Uh-huh. |
| 0:07.5 | Get it? Get it, because it's also imaginary? |
| 0:09.5 | Man, why are you so hard on Havik? |
| 0:11.4 | I am not hard on Havik. The multiverse is hard on havoc? I am not hard on havoc. |
| 0:13.4 | The multiverse is hard on havoc. |
| 0:15.1 | I just think it's funny. |
| 0:16.1 | I guess. |
| 0:17.1 | Okay, think about it. |
| 0:18.0 | He's basically a non-stop punching bag for superhero logic. |
| 0:21.4 | All this poor kid ever wanted was a career in academia with |
| 0:24.1 | his magnetic girlfriend and instead he's been shoehorned into life as the |
| 0:27.1 | X-Men's saddest also ran. I mean his defining trait is living in the shadow of |
| 0:31.9 | the one dude who's been more consistently |
| 0:33.4 | screwed over by continuity than he has. He's got to have some kind of thing of his own. |
| 0:37.2 | Not really. I think that's part of why he's so easy to make fun of actually, because |
| 0:41.5 | writers are so uncertain about what makes havoc |
| 0:43.8 | that every time one tries to put him in the spotlight, |
| 0:45.9 | it feels like they're either recycling Cyclops |
| 0:47.6 | motifs or throwing random stuff at the plot |
... |
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