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How Long Gone

858. - Jordan Tannahill

How Long Gone

Chris Black & Jason Stewart / Talkhouse

Society & Culture

4.41.1K Ratings

🗓️ 17 October 2025

⏱️ 74 minutes

🧾️ Download transcript

Summary

Jordan Tannahill is an author and playwright from Canada, currently in New York. His critically acclaimed new production, Prince Fa**ot, is currently playing. We chat with him about Chris's Hermes dinner in Tennessee, Meg The Stallion courtside, digital media making zines, the photo of Prince George that inspired his play, the current economics of Broadway, the catacombs of club Basement, straight actors playing gay roles, and vice versa, latex and pup play, what he wore to his wedding, and his love of the club. instagram.com/jordan.tannahill twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

How long gone. I'm good. It's a beautiful Thursday. The sun is shining here in Nashville, Tennessee, or, you know, things people call it, but I'll spare us all. Jason, how are you?

0:30.1

We got Nashville Tanaki. That's how much it costs to buy Coke there. That's literally my favorite, and that's what I was going to say. There's also the popular Nash Vegas, which feels more real than ever now with the- It feels a little too hunting

0:42.7

wivesy to me though. Well, the Bachelorette Party influx sort of leads to that conclusion. It's

0:48.0

tough to avoid. I'm this many years old back when a kilo was $10,000. Do you remember that? I wonder how much is

0:56.4

listeners weigh in? How much is a kilo of cocaine in 2025? And this is, I don't want the hookup

1:02.0

price. I want kind of the regular guy off the street price. You want the standard. I'm,

1:06.0

I'm going to walk into Armes. I'm buying the Birkin, just retail. Just retail.

1:11.1

Cost of kilo,

1:30.2

cocaine, 2025. I'm going to guess. I'm going to guess 225. What's your guess? I'm saying it's touching, I'm saying 20. I don't want this from the computer. I need this from a real street dude. I know. I need real data. but but this But this will work for the sake of argument.

1:28.1

What do we got?

1:29.2

What does Chet GBT say?

1:30.2

It's too wide of a net.

1:32.1

It says it can be as low as 145 in San Diego, but as much as 45 in Anchorage, Alaska.

1:43.0

You got to pay 45. I mean, look, Anchorage, Alaska. You got to pay 45.

2:19.1

I mean, look, if Anchorage, Alaska, a place that I've been lucky enough to visit, I don't, that's the last place on Earth I'd want to do cocaine. So they should be charging 45 a key for that. It's just hard to get it up. You have to get through so many obstacles to get your key low in Anchorage. Okay. This is good data. So anybody that's pushing weight that's listening, let us know what the real price is. We need to hear it from the kind of the streets. You're living in Venezuela. Yeah, we need. Let us know. We need to know. We'll come and get your boat. If you're going to go fishing in El Salvador, we will explode you. We're going to explode you.

2:24.5

Yeah, I'm in Nashville. The weather really is something else, but I went to a... I don't care about the weather, you stupid bitch. Tell me about the Hermes party.

2:27.9

The Armez parties tonight. The opening thing was last night. We did some line dancing,

2:33.1

which I obviously did not really

2:35.1

participate in, but other people seem... Yeah, I think this cowboy kind of aesthetic is really starting

2:39.4

to be on the rise lately. Have you noticed this pop up lately? Well, I mean, at least this is where

2:45.5

it was invented to some extent. So I feel like they can lay claim to it. In the House of Hermes,

2:49.9

that's a good point. I mean, honestly, with the saddle making, it's true. Yeah, between the saddle making and the, I'm saying Nashville. It is ground zero. Sure, sure. But I didn't do that. But we went to dinner at this place called Margot, that's sort of like one of the first good restaurants here and I realized I had not been there in you know a decade or whatever

...

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