4.5 • 1.9K Ratings
🗓️ 4 September 2017
⏱️ 48 minutes
🧾️ Download transcript
Ian Weinberger is back for another episode and you should probably be sitting down while you listen to this one... we turn our attention to the keyboard and YOU. ARE. NOT. READY. Ian plays us mind-blowing musical motifs from Hamilton, and we come to that conclusion that Alex Lacamoire really just can't help himself when it comes to being a genius. In other words, #LacsGonnaLac. We also do impressions of characters from The West Wing because of course we do.
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0:00.0 | Hey Hamfam, it's me Jillian, welcome to part two of my chat with Ian Weinberger, the associate musical director of |
0:14.3 | Hamilton on Broadway. Ian conducts the show, plays keyboard in the pit, and is about to play keyboard |
0:19.5 | in my living room. If you haven't listened to his first episode you should totally do that |
0:23.2 | because Ian is the greatest. Okay now here's Ian to blow us all away. When I met Lack it was because of Kimmy Mark, who you guys have hurt, isn't she the greatest? |
0:46.0 | The dream. |
0:47.0 | Love me some Kimmy. |
0:48.0 | She's awesome. She has so many like behind the scenes details of being a dresser and being like dressing |
0:52.0 | whatever. |
0:52.6 | She really knows like where the bodies are buried. |
0:54.5 | Like she knows everything. |
0:55.5 | And she's never seen Hamilton, which I can't even get into. |
0:57.6 | I cannot even know that. |
0:59.0 | That's amazing. |
0:59.5 | Cannot even get into it. |
1:00.7 | But I know that Alex is kind of not around. I don't do I call him like |
1:05.7 | Alex Lacemore, Laxer? Sir? Lack is fine. He goes by like. I know that it's rare for him |
1:11.7 | to be around. So then when I was at the Rogers talking to Kimmy |
1:14.3 | I it was she even she was like why is lack here he's hard to tie down well he's a busy dude and he you know is trying to maintain stuff that's happening on Broadway, |
1:27.4 | of course the Chicago Company, the tour, |
1:29.5 | and of course casting the Second National |
1:31.3 | and casting London. |
1:32.2 | So he's going back and forth to London not to mention |
... |
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