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🗓️ 29 August 2022
⏱️ 6 minutes
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Today’s poem is Ars Poetica by Valzhyna Mort.
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0:00.0 | I'm Shira Erlichman and this is The Slowdown. |
0:18.4 | Before I was officially an American citizen, I was termed a resident alien. |
0:24.1 | To become an American citizen, I had to be naturalized. |
0:29.0 | Is an immigrant unnatural? |
0:31.8 | Is an immigrant unfamiliar and so disturbing? |
0:36.0 | Does the government's language amplify humanity or strip it? |
0:42.3 | We live in the balance between this kind of dehumanizing language, the dead rhetoric |
0:46.7 | of the politician, and what I'll call little language. |
0:51.5 | I mean little like apple, candle, or comb, the stuff of everyday life. |
0:58.5 | Little language is inherently intimate. |
1:01.1 | It honors the blood and bone of its speaker and the listener. |
1:05.5 | It's the language of nicknames, of preference and delight. |
1:09.7 | Because it's nuanced and personal, it reflects humans, not regimes. |
1:17.6 | To walk through any American city or town is to see monuments and street signs devoted |
1:22.9 | to people who have committed genocide. |
1:25.8 | Your hangs in the open air with a touch of ease. |
1:29.5 | Poets know language can stand in stark contrast to structures of power and control. |
1:35.1 | So we often wield little language in all its deceptive power. |
1:39.4 | Its intimacy pricks and challenges authority. |
1:43.0 | But perhaps most importantly, little language enriches those of us who are vulnerable enough |
1:48.2 | to speak it. |
1:50.3 | Just the other day, my bodega dude called me sweetheart. |
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