4.8 • 39.1K Ratings
🗓️ 12 September 2017
⏱️ 8 minutes
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When you're in the back of an ambulance in the middle of a snowstorm - every second counts.
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0:00.0 | This is the way I heard it. |
0:01.0 | They say your life flashes before your eyes, moments before it ends. |
0:12.6 | Not all of it. |
0:13.6 | Just the important parts. |
0:14.9 | The bits of your childhood, for instance, the shape, the person you grow to become. |
0:20.5 | As they hoisted George into the back of the ambulance, the 19-year-old artist couldn't |
0:25.0 | help but wonder what images might crowd their way into his final moments. |
0:30.6 | What exactly might a man recall from his childhood if he never had a childhood in the first |
0:36.4 | place? |
0:38.0 | I shut, siren wailing above his head, George sees himself at the piano, sitting beside |
0:45.0 | his beloved mother. |
0:46.4 | He's seven years old, receiving his first piano lesson. |
0:50.2 | He's intrigued, but distracted, partly because his friends are outside playing stick ball, |
0:57.1 | and partly because he's already figured out the piano. |
1:01.0 | The relationship of one note to another, chromatic, diatonic, cord progression, harmonies, rhythms, |
1:07.4 | time signature, each key and its attendant tone make immediate and perfect sense to his |
1:13.0 | brain. |
1:14.0 | Whatever his mother plays, George plays it right back, flawlessly. |
1:20.2 | Weeks later, George sits at a grand piano in a crowded drawing room somewhere in Kenosha. |
1:26.2 | He's playing Chopin, an a-tude. |
1:28.9 | He plays for memory, the crowd applause, his mother weeps from the back of the ambulance. |
1:35.3 | George can see it like it was yesterday. |
... |
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