On the pilot TV podcast this week we're taking a look through the keyhole of Netflix's

haunted house series Lock and Key,

investigating missing persons in Iraq with Channel 4's New Mystery Baghdad Central,

getting a long-awaited update on Sammy's asylum application in Series 2 of home and getting another peak inside number 9.

I'm James Dyer and welcome to the pilot TV podcast, your weekly guide to the very best of

small screen entertainment from overlooked gems to the critically acclaimed and even those few shows lofty enough to be elevated above their peers and bestowed with prestigious national awards like Mrs Brown's boys.

Joining me on this week's show,

ah yes, yes, Terry and Boyd, but that's hardly a novelty is it?

No, this week, in addition to the three of us,

we are joined by a very special co-host.

She is a writer for both stage and screen, a producer and Agatha Christie's representative

here on earth.

Not only has she written

Niron 100 episodes of EastEnders

and adapted the likes of JK Rolling's

the casual vacancy for our screens,

but she has earned a name as the master of the

murder mystery by bringing us such Christie classics as and then there were none

ordeal by innocence and the ABC murders and if that weren't enough she was also the creative force behind Dublin murders as well.

It's only bloody Sarah Phelps.

Hello.

I'm also the pervert Sarah Phelps as coined by concerned men on Twitter.

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