What's up? You'll hear it.

Coming at you, we're excited about this new program because it puts us at the piano where we belong. How many times have we been told, get over by the piano where you belong? More than is appropriate. Right. But yet it's so true. So today what we've got for you guys is seven ways. We actually have six ways, but we're confident that we're going to come through on a bonus seven. By the time we get there, there we'll have it because how do we know where we're going if we don't know where

we're coming from and this is this is premium buddy we got to bring it let's get

together okay so these are ideas that the idea is you know seven hip ways to get

where you're going right so we all know that there's situations where we come where

it's like five one three six two-6-251, 1-4-3-6-2-5. You know, sometimes we just have to go someplace. But why don't we make the journey a little bit hip? And sometimes there's that one little chord, that one substitution. So we want to give you some ideas that you can use, try out, and of course, you know, incorporate them into your playing

as you see fit, right?

I love it. Yeah, yeah, yeah, yeah. Let's do it.

Okay, so the first one that I realized that I play a lot and I kept getting asked about it,

but I never really thought about it, but now I have thought about it. See, I funk it. I went back and funk about it.

And this is, you know, I think where I typically would encounter it, or at least it's easiest to explain is at the end of the very thought of you. Oh yeah.

So, you know, the idea is there.

It's very standard, very pretty, but a little bit boring.

You know, 36251, and the melody's super stationary there.

And you can either do, you know, minor or half diminish.

That's a little bit.

But there's not a whole lot to it.

So what I like to do is,

look out.

Okay, so what I'm doing, three, six, and then B major.

Yeah, yeah, yeah.

So as opposed to like, like, because actually like a half step above wouldn't really work because

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