Hey Adam. Yeah. You ready for some premium episodes. I mean, this is our first one. It better be good.

That's right. Let's get ready to get premium.

I'm Adam Anast.

And I'm Peter Martin.

And you're listening to the You'll Hear at podcast, Premium.

Premium advice coming at you.

Coming at you today, we're at the piano.

We're at the piano because this is premium time.

This time for the real stuff.

I'm so excited about this. We've been talking about this for a while, and we want to thank you guys for joining us on this stuff. I'm so excited about this. We've been talking about this for a while and we want to thank you guys for joining us on this premium, this inaugural premium podcast episode. And we came up with something that I think it's going to be a lot of fun and we'd love to hear from you guys if you're enjoying these because we have a bunch of different ideas here too. Yeah, yeah. And this is going to be pretty piano-specific, these episodes.

Yeah, yeah.

Because we are pianists.

And also by popular request.

By-popular requests.

I mean, we have so much request for this to be at the piano, and we got the overhead going. This is premium. It's awesome. I'm excited. Yeah, me too. So the first episode we're going to do here is about runs, not like running or I have the runs.

Right, right, right.

But Piano Pacific. do here is about runs, not like running, or I have the runs. Right, right, right. But piano

Pacific, Pacific, and Atlantic and Indian oceans as well. Piano specific runs, just kind of, I don't

want to say licks, but things that go up and down the piano that just feel really great with our

hands that fit the instrument ergonomically.

Yes.

I mean, I think you nail it with the piano-y runs. I mean, it sounds a little different. It sounds different. But I think it's so, it's so descriptive. Yeah. Well, the first one I want to do is something I've done since I was a teenager, and it's a run that I usually reserve for if I'm setting up a tune in a major key.

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